Kamis, 30 September 2010

Deadly Affair: A Georgian Historical Mystery (Alec Halsey Mystery) (Volume 2), by Lucinda Brant

Deadly Affair: A Georgian Historical Mystery (Alec Halsey Mystery) (Volume 2), by Lucinda Brant

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Deadly Affair: A Georgian Historical Mystery (Alec Halsey Mystery) (Volume 2), by Lucinda Brant

Deadly Affair: A Georgian Historical Mystery (Alec Halsey Mystery) (Volume 2), by Lucinda Brant



Deadly Affair: A Georgian Historical Mystery (Alec Halsey Mystery) (Volume 2), by Lucinda Brant

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Autumn 1763. Career diplomat Alec Halsey has been elevated to a marquessate he doesn't want and Polite Society believes he doesn't deserve. And with the suspicion he murdered his brother still lingering in London drawing rooms, returning to London after seven months in seclusion might well be a mistake. So when a nobody vicar drops dead beside him at a party-political dinner, and his rabble-rousing uncle Plantagenet is bashed and left for dead in a laneway, Alec’s foreboding deepens. Uncovering the vicar's true identity, Alec suspects the man was poisoned. But who would want a seemingly harmless man of God murdered, and why?

Lucinda Brant’s Alec Halsey mysteries explore the darker side of her deliciously romantic 18th century world. Along with trademark wit and high drama there are deeper subplots and even quirkier characters that will have you shuddering and laughing in equal measure!

Awards for this Book

  • 2012 Australian Romance Readers Awards Finalist
  • Crowned Heart review, InD’Tale magazine

Book Details

Series: Book 2 in the Alec Halsey Mystery seriesClassification: Parental Guidance Recommended (mild violence)Length: Full-length novel (114,000 words)Edition: First print editionStyle: Character-driven amateur sleuth

Connecting Books

Many readers enjoy Lucinda Brant's books as part of a wider series since her characters inhabit the same meticulously-researched 18th Century world with people and events cross-referenced throughout. You can explore the details and delve deeper into the history within each book by visiting LucindaBrantAuthor on Pinterest. Should you wish to read each series in chronological order, here is the sequence:

Alec Halsey Mystery SeriesSpring 1763 DEADLY ENGAGEMENT (Country house murder and mayhem)Autumn 1763 DEADLY AFFAIR (A poisoned vicar and the mysterious Miranda)Winter 1763 DEADLY PERIL (Bloody intrigue abroad) In progressSummer 1764 DEADLY KIN (Evil lurks in Edinburgh) In progress

Salt Hendon Series1763 SALT BRIDE (Magnus and Jane)1767 SALT REDUX (Antony and Caroline)1767 A FAIRY CHRISTMAS (Kitty and Tom); a short story in SILVER BELLS COLLECTION, a Timeless Romance anthology

Roxton Family Saga1740s NOBLE SATYR (Renard and Antonia)1760s MIDNIGHT MARRIAGE (Julian and Deb)1770s AUTUMN DUCHESS (Antonia and Jonathon)1770s DAIR DEVIL (Dair and Rory)1770s PROUD MARY (Mary and Christopher) In progress1780s SATYR’S SON (Henri-Antoine and Lisa) In progress

Reviews

"Lucinda Brant is the queen of Georgian Historical Mystery just as Georgette Heyer was the queen of Regency Romance. What these two authors have in common, besides being superb writers, is their ability to weave historical information into the plot so that the reader is transported effortlessly to another time and place. Lucinda Brant gets 5 stars from me, and I can't wait to read the other books in the Alec Halsey series!” — Anne Boling, Readers’ Favorite

“Lucinda Brant has a beautiful writing style and a careful grasp on the social mores, political environment and tangled affairs of the aristocracy of Georgian England. Her characterizations are layered and complex. The mystery is intricately woven into an absorbing plot. Lucinda Brant is a gifted writer and Deadly Affair is highly and enthusiastically recommended for lovers of historical mysteries! " — Jill MacKenzie, InD'Tale magazine

Deadly Affair: A Georgian Historical Mystery (Alec Halsey Mystery) (Volume 2), by Lucinda Brant

  • Amazon Sales Rank: #1887713 in Books
  • Published on: 2015-03-02
  • Original language: English
  • Dimensions: 8.50" h x .90" w x 5.50" l,
  • Binding: Paperback
  • 360 pages
Deadly Affair: A Georgian Historical Mystery (Alec Halsey Mystery) (Volume 2), by Lucinda Brant

About the Author LUCINDA BRANT is a New York Times and USA Today bestselling author of Georgian historical romances & mysteries. Her award-winning novels have been described as from 'the Golden Age of romance with a modern voice', and 'heart wrenching drama with a happily ever after'. ARE THEY FOR YOU? If you love BBC Classic Drama, Jane Austen, Georgette Heyer, 18th Century history, or stories with wit and adventure then dive right in! You'll find a world of determined heroes and heroines, an eccentric character or two, and a weave of subplots to keep things interesting. 'Quizzing glass and quill, into my sedan chair and away! The 1700s rock!'


Deadly Affair: A Georgian Historical Mystery (Alec Halsey Mystery) (Volume 2), by Lucinda Brant

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Most helpful customer reviews

15 of 17 people found the following review helpful. ????!!!! By RuthO I read the stellar reviews for this novel and doubted I was reading the same book. While Ms. Brant constructs an interesting plot, her methods for telling it bored me to tears. No character can ever simply get to the point. Every time information is imparted from one person to another, they take a long verbal meander before spilling the beans. Not just one character does this, but all of them, regardless of the importance of the information or how dire the circumstances. And the redundancy! Apparently Ms. Brant does not trust her readers to remember what happened from one sentence to another, let alone one chapter to the next. The constant retelling of scenes and plot points had me skipping through page after page after page, just hoping to find something that moved the plot along. The thin plot was also muddied with long, detailed trivia. I appreciate the depth of research the author did, but I did not need two pages to describe every item Lord Halsey packed in his traveling toiletries case.I quote from this book, "Sir Septimus's note was long-winded and full of verbose rhetoric." That is precisely how I would describe "Deadly Affair."I'm only halfway through and I'm so tired of searching for something that furthers the plot that I no longer care who did what to whom. I think Ms. Brant has a great deal of potential, but she needs an editor with a big red pen to cross out the redundancy and and a requirement to keep the story moving.

13 of 15 people found the following review helpful. wonderful mystery By DolphinChick This was my first time reading a Lucinda Brant book and I'm so happy I did!! It is a beautifully written Georgian Historical Mystery. It is the 2nd book in the Alec Hasley mystery series, but I ran across it first. Although I will absolutely be going back and reading the 1st in the series, this book can totally be read as a stand-alone. There's just enough back-story to help you understand what's going on, but not so much you get bogged down by it. There are a lot of characters to sort through, each with their own wonderful personality and possible reasons for murder...but don't worry I won't give that away! You'll want to find out for yourself, trust me!Alec is a great character and everything you want in your hero! He is in love with Selina who has just told him they can't get married but since there has been a murder, his father attacked and a woman hidden away in the country and everyone seems to be involved in one way or another, Alec has no time to find out why she's changed her mind! His father Plantagenet and their valet Tam are wonderful characters also and I look forward to reading more about them.I can't wait for the next book in the series to come out!!

7 of 7 people found the following review helpful. Smooth... By P. J. B. Brant doesn't disappoint with this second in the Alec Halsey novels. Her settings are gloriously rich and well-researched, the life of the Georgian nobility silkily realised on the page. The story flows at pace with Alec, Tam and Plant alternately holding centre stage. Brant has a particular skill in creating faceted secondary characters and its my hope she writes a book one day about Tam the valet/apothecary's apprentice. Halsey himself has a neat darkness that could be developed further in the future as well. I enjoy Brant's work, a worthy successor to Heyer and a recommended read and five stars.

See all 45 customer reviews... Deadly Affair: A Georgian Historical Mystery (Alec Halsey Mystery) (Volume 2), by Lucinda Brant


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Deadly Affair: A Georgian Historical Mystery (Alec Halsey Mystery) (Volume 2), by Lucinda Brant

Deadly Affair: A Georgian Historical Mystery (Alec Halsey Mystery) (Volume 2), by Lucinda Brant

Deadly Affair: A Georgian Historical Mystery (Alec Halsey Mystery) (Volume 2), by Lucinda Brant
Deadly Affair: A Georgian Historical Mystery (Alec Halsey Mystery) (Volume 2), by Lucinda Brant

Rabu, 29 September 2010

Confessions of a Dope Boy (The Confessions of a Dope Boy), by First Lady K

Confessions of a Dope Boy (The Confessions of a Dope Boy), by First Lady K

Yeah, hanging around to check out guide Confessions Of A Dope Boy (The Confessions Of A Dope Boy), By First Lady K by online could also provide you positive session. It will alleviate to correspond in whatever condition. This method can be more appealing to do and also less complicated to review. Now, to obtain this Confessions Of A Dope Boy (The Confessions Of A Dope Boy), By First Lady K, you can download in the web link that we give. It will certainly help you to get simple means to download and install the book Confessions Of A Dope Boy (The Confessions Of A Dope Boy), By First Lady K.

Confessions of a Dope Boy (The Confessions of a Dope Boy), by First Lady K

Confessions of a Dope Boy (The Confessions of a Dope Boy), by First Lady K



Confessions of a Dope Boy (The Confessions of a Dope Boy), by First Lady K

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“What the fuck were you thinking coming here, Tanya?” he hissed at her. Tanya was fighting back the tears. “Look, Bishop, I really didn’t want to come but I can’t raise him knowing that his father is capable of taking care of him but won’t because he’s afraid to lose his woman. Quinton is your son, Bishop. I didn’t make him by myself. How can you just go from telling me I was the most special thing in the world one day to denying your son the next?” she asked. “Look at him, Bishop!” she yelled at him as she held the baby up. “You look at him and tell me that this is not your son.” Bishop knew the minute he’d laid eyes on him that Quinton was his son. He just didn’t want to lose Anna. She was his world. But Bishop knew he couldn’t deny his son. He didn’t deserve it. Bishop grew up without his father, which was one of the main reasons he was in the streets now. He didn’t know how he was going to do it, but he had to be there for him. “Can I hold him? I mean, is it ok?” he asked. Tanya hesitated before she handed Quinton to him. Bishop looked down at him and he felt a lump in his throat. “Damn. I’m sorry, T. I fucked up. I got caught up and trying to keep everybody happy. I fucked up bad. It wasn’t supposed to happen like this,” he said as a tear fell down his face while he looked into the eyes of his son. Bishop was so busy looking at the baby that he didn’t see Anna around the corner. “You fucking bitch!” she screamed as she jumped Tanya from behind and began punching her repeatedly.

Confessions of a Dope Boy (The Confessions of a Dope Boy), by First Lady K

  • Amazon Sales Rank: #3122367 in Books
  • Published on: 2015-03-17
  • Original language: English
  • Dimensions: 9.00" h x .62" w x 6.00" l,
  • Binding: Paperback
  • 272 pages
Confessions of a Dope Boy (The Confessions of a Dope Boy), by First Lady K


Confessions of a Dope Boy (The Confessions of a Dope Boy), by First Lady K

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Most helpful customer reviews

1 of 1 people found the following review helpful. Confessions of a Dope Boy By Amazon Customer Quinton proved that it's not easy being a preachers son!! Bishop chose to give up the lifestyle he once had to be a better father. Even though Q seemed to be on the right path his decisions soon changed things. Q was so sheltered growing up that he made some very poor decisions that caused some serious issues. The past has a way of pulling some people back and that's exactly what happened to Bishop!

0 of 0 people found the following review helpful. The power of a parents love!! By estelle The power of a parents love!!!!!! in the words of Chris Rock. Im not saying it was right. But I understand. Bishop is that nu**a. This isn't the kind of book for moral judging. It was well written and fascinating. Showed how lust love betrayal deceit anger and resentment can make you lead you down a path of destruction.Q is angry. The wife is bitter and resentful. Tanya, Q's mother cant stop loving Bishop. Read may or may or may not be a snake in the grass & the church folk is a busy body. I didn't honestly know where the story was going but Im looking forward to the second instalment. I LOVED IT.

0 of 0 people found the following review helpful. Didn't See That Coming By Chrishonda N. I was not expecting half the things that were taking place to happen. There were some things that were predictable in regards to what people feel that are characteristics of what we know to be Preacher's Kids. As predictable as the characters seem, they were unpredictable also.I was quite shocked when one of the main characters was acutually speaking spanish for no apparent reason.

See all 27 customer reviews... Confessions of a Dope Boy (The Confessions of a Dope Boy), by First Lady K


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Confessions of a Dope Boy (The Confessions of a Dope Boy), by First Lady K

Confessions of a Dope Boy (The Confessions of a Dope Boy), by First Lady K

Confessions of a Dope Boy (The Confessions of a Dope Boy), by First Lady K
Confessions of a Dope Boy (The Confessions of a Dope Boy), by First Lady K

Minggu, 26 September 2010

The Fires of Autumn (Vintage International), by Irene Nemirovsky

The Fires of Autumn (Vintage International), by Irene Nemirovsky

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The Fires of Autumn (Vintage International), by Irene Nemirovsky

The Fires of Autumn (Vintage International), by Irene Nemirovsky



The Fires of Autumn (Vintage International), by Irene Nemirovsky

Free PDF Ebook Online The Fires of Autumn (Vintage International), by Irene Nemirovsky

This panoramic exploration of French life between the wars reads like a prequel to Irène Némirovsky’s international bestseller Suite Française.   At the end of the First World War, Bernard Jacquelain returns from the trenches a changed man. Broken by the unspeakable horrors he has witnessed, he becomes addicted to the lure of wealth and success. He wallows in the corruption and excess of post-war Paris, but when his lover abandons him, Bernard turns to a childhood friend for comfort. For ten years, he lives the good bourgeois life, but when the drums of war begin to sound again, everything around which he has rebuilt himself starts to crumble, and the future—of his marriage and of his country—suddenly becomes terribly uncertain. Written after Némirovsky fled Paris in 1940, just two years before her death, and first published in France in 1957, The Fires of Autumn is a coruscating, tragic novel of war and its aftermath, and of the ugly color it can turn a man's soul.

The Fires of Autumn (Vintage International), by Irene Nemirovsky

  • Amazon Sales Rank: #468690 in Books
  • Brand: Nemirovsky, Irene/ Smith, Sandra (TRN)
  • Published on: 2015-03-17
  • Released on: 2015-03-17
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.93" h x .69" w x 5.16" l, .0 pounds
  • Binding: Paperback
  • 240 pages
The Fires of Autumn (Vintage International), by Irene Nemirovsky

Review Praise for Irène Némirovsky:“Némirovsky was incapable of producing anything less than an enchanting novel. She has an irresistible talent for creating character and incident.” —The Guardian (London)   “Némirovsky wrote, for all to read at last, some of the greatest, most humane and incisive fiction that conflict has produced.” —The New York Times Book Review   “[Némirovsky] achieve[s] her penetrating insights with Flaubertian objectivity.” —The Washington Post Book World

About the Author Irène Némirovsky was born in Kiev in 1903 into a wealthy banking family and immigrated to France during the Russian Revolution. After attending the Sorbonne in Paris, she began to write and swiftly achieved success with David Golder, which was followed by more than a dozen other books. Throughout her lifetime she published widely in French newspapers and literary journals. She died in Auschwitz in 1942. More than sixty years later, Suite Française was published posthumously for the first time in 2006.

Excerpt. © Reprinted by permission. All rights reserved. 1 There was a bunch of fresh violets on the table, a yellow pitcher with a spout that opened with a little clicking sound to let the water pour out, a pink glass salt cellar decorated with the inscription: ‘Souvenir of the World Fair 1900’. (The letters had faded over twelve years and were hard to make out.) There was an enormous loaf of golden bread, some wine and – the pièce de résistance, the main course – a wonderful blanquette of veal, each tender morsel hiding shyly beneath the creamy sauce, served with aromatic baby mushrooms and new potatoes. No first course, nothing to whet the appetite: food was a serious business. In the Brun household, they always started with the main course; they were not averse to roasts – when properly cooked according to simple, strict rules, these were akin to classics of the culinary art – but here, the woman of the house put all her effort and loving care into the skilled creation of dishes simmered slowly for a long time. In the Brun household, it was the elderly Madame Pain, the mother-in-law, who did the cooking. The Bruns were Parisians of some small private means. Since the death of his wife, Adolphe Brun presided over the table and served the meal. He was still a handsome man; bald and with a large forehead, he had a small upturned nose, full cheeks and a long, red moustache that he twisted and turned in his fingers until its slender tips nearly poked his eyes. Sitting opposite him was his mother-in-law: round, petite, with a rosy complexion crowned with fine, flyaway white hair that looked like sea foam; when she smiled, you could see she still had all her teeth. With a wave of her chubby little hand, she would brush aside everyone’s compliments: ‘Exquisite… You’ve never made anything better, dear Mother-in-law… This is just delicious, Madame Pain!’ She would put on a falsely modest little face and, just as a prima donna pretends to offer her partner the flowers presented to her on stage, she would murmur: ‘Yes, the butcher did me proud today. It’s a very nice cut of veal.’ To his right sat Adolphe Brun’s guests – the three Jacquelains – and to his left, his nephew Martial and Brun’s young daughter, Thérèse. Since Thérèse had just turned fifteen a few days ago, she had put her curls up in a chignon, but her silky hair was not yet used to the style she tried to hold in place with hairpins, so it was escaping all over the place, which made Thérèse unhappy, in spite of the compliment her shy cousin Martial had whispered to her:  ‘It’s very pretty, Thérèse,’ he said, blushing quite a bit. ‘Your hair I mean… it’s like a cloud of gold.’ ‘The little angel has my hair,’ said Madame Pain. She was born in Nice, and even though she left at the age of sixteen to marry a ribbon and veil merchant from Paris, she still had the accent of her native city, as sonorous and sweet as a song. She had very beautiful dark eyes and a lively expression. Her husband had left her destitute; she had lost a daughter who was only twenty – Thérèse’s mother – and was supported by her son-in-law; but nothing had affected her cheerful disposition. With dessert, she happily drank a little glass of sweet liqueur as she hummed a song:Joyful tambourines, lead the dance…The Bruns and their guests sat in a very small dining room flooded with sunlight. The furniture – a Henry II sideboard, cane chairs with fluted legs, a chaise longue upholstered in a dark fabric with flowers – bouquets of roses against a black background – an upright piano – everything huddled together as best it could in this small space. The walls were decorated with drawings bought in the large department stores near the Louvre: young girls playing with kittens, Neapolitan shepherds (with a view of Mount Vesuvius in the background) and a copy of The Abandoned Woman, a touching work depicting a woman who is obviously pregnant sitting on a marble bench in autumn, weeping as a Hussar of Napoleon’s Army disappears in the distance among the dead leaves. The Bruns lived in the heart of a working class area near the Gare de Lyon. They heard the long, wistful whistles of the trains, full of resonance that passed them by. But at certain times of the day, they could feel the faint, rhythmic, metallic vibrations coming from the large iron bridge the metro passed over as it emerged from deep beneath the city, appearing for a moment under the sky before fleeing underground again with a muffled roar. The windows shook as it passed. On the balcony, canaries sang in a cage and, in another, turtledoves cooed softly. The typical sounds of Sunday rose up through the open windows: the clinking of glasses and dishes from every floor, and the happy sound of children from the street below. The brilliant sunlight cast a rosy hue over the grey stonework of the houses. Even the windows of the apartment opposite, dark and grimy all winter long, had recently been washed and sparkled like shimmering water in the bright light. There was a little alcove where the man selling roasted chestnuts had been since October; but he was gone now, and a young girl with red hair selling violets had materialised to take his place. Even this dark little recess was filled with a golden mist: the sun lit up the dust particles, the kind you get in Paris in the spring, that joyful season, dust that seems to be made of face powder and pollen from flowers (until you realise that it smells of dung).It was a beautiful Sunday. Martial Brun had brought in the dessert, a coffee cake with cream that made Bernard Jacquelain’s eyes light up with joy. They ate it in silence; nothing was heard but the clinking of teaspoons against the plates and the crunching of the little coffee beans hidden in the cream, full of heady liqueur. After this brief moment of silence, the conversation started up again, just as peaceful and devoid of passion as a kettle simmering gently on a stove. Martial Brun was a young man of twenty-seven with beautiful doe eyes, a long, pointy nose that was always a bit red at the tip, a long neck he kept tilted to one side in a funny way, as if he were trying to hear some secret; he was studying medicine and talked about the exams he was soon to take.‘Men have to work so hard,’ said Blanche Jacquelain with a sigh, looking over at her son Bernard. She loved him so much that she felt everything applied to him; she couldn’t read about an epidemic of typhoid that had broken out in Paris without imagining him sick, even dying, and if she heard any military music, she immediately imagined him a soldier. She looked darkly, sadly, at Martial Brun, replacing in her imagination his non-descript features with those of her adored son, and thinking that one day Bernard would graduate from one of the great universities, showered with prizes. With a certain sense of complacency, Martial described his studies and how he sometimes had to stay up all night. He was overly modest, but a thimbleful of wine made him suddenly eager to talk, to impress others. As he was bragging, he ran his index finger along the back of his collar – it was a bit tight and irritating him – and he puffed his chest out like a rooster, until the doorbell rang and interrupted him. Thérèse started to get up to answer it, but little Bernard got there first and soon came back accompanied by a plumpish, bearded young man, a friend of Martial, a law student named Raymond Détang. Because of his liveliness, his eloquence, his beautiful baritone voice and his effortless success with women, Raymond Détang inspired feelings of envy and gloomy admiration in Martial. He stopped talking the moment he saw him and nervously began brushing up all the breadcrumbs scattered around his plate. ‘We were just talking about you young men and your studies,’ said Adolphe Brun. ‘You see what’s in store for you,’ he added, turning towards Bernard.Bernard did not reply because at the age of fifteen, the company of adults still intimidated him. He was still in short trousers. (‘But this is the last year… Soon he will be too big,’ his mother said, sounding regretful but proud.) After this hearty meal, his cheeks were fiery red and his tie kept slipping. He gave it a hard tug and pushed his blond curls off his forehead. ‘He must graduate from the Polytechnique, the most prestigious Engineering School, among the top of his class,’ his father said in a booming voice. ‘I would do anything in the world to give him a good education: the best tutors, anything; but he knows I expect of him: he must graduate from the Polytechnique among the top of his class. He’s a hard worker though. He’s first in his class.’Everyone looked at Bernard; a wave of pride rushed through his heart. It was a feeling of almost unbearable sweetness. He blushed even more and finally spoke in a voice that was breaking, sometimes shrill and almost heartrending, sometimes soft and deep: ‘Oh, that, it’s nothing really …’He raised his chin in a gesture of defiance and pulled at the knot in his tie so hard it nearly ripped, as if to say: ‘We’ll see about that!’ He was excited by the dream of one day seeing himself become an important engineer, a mathematician, an inventor, or perhaps an explorer or a soldier, having encounters with a string of beautiful women along the way, surrounded by devoted friends and disciples. But at the same time, he glanced furtively at the bit of cake sitting on his plate and wondered how he could manage to eat it with all those eyes staring at him; fortunately his father spoke to Martial and diverted everyone’s attention, leaving him in obscurity once more. He took advantage of the moment by wolfing down a quarter of his cake in one mouthful. ‘What branch of medicine are you planning to specialise in?’ Monsieur Jacquelain asked Martial. Monsieur Jacquelain suffered from terrible stomach problems. He had a blond moustache, as pale as hay, and a face like grey sand; he was covered in wrinkles like dunes furrowed by the sea breeze. He looked at Martial with a sad, eager expression, as if the very fact of speaking to a future doctor might be enough to discover some secret cure, but one that wouldn’t work on him. He instinctively placed his hand on the spot where the illness made him suffer, just below his sunken chest, and repeated several times:‘It’s a shame you haven’t got your qualifications yet, my dear boy. A shame. I would have come to you for a consultation. A shame…’ Then he sat there, deep in anguished thought. ‘In two years,’ Martial said shyly.Urged on by their questions, he admitted he had his eye on an apartment, on the Rue Monge. A doctor he knew wanted to retire so would pass it on to him. As he spoke, he could picture all the pleasant days ahead… ‘You should get married, Martial,’ said the elderly Madam Pain with a mischievous smile. Martial nervously rolled the soft part of the bread into a ball, pulled at it so it took the shape of a man, stabbed at it with his dessert fork and raised his doe eyes to look at Thérèse. ‘I’m thinking about it,’ he said, his voice full of emotion, ‘Believe me, I’m thinking about it.’ For a fleeting moment, Thérèse thought his remarks were directed at her; she wanted to laugh but at the same time felt embarrassed, as if she’d been left standing naked in public. So it was true then, what her father, her grandmother and her friends at school were saying: ever since she had started putting up her hair, she looked like a woman? But to marry this kind Martial… She lowered her eyes and watched him with curiosity. She’d known him since she was a child; she liked him very much; she could live with him as her mother and father had lived until the day the young woman died. ‘The poor boy,’ she suddenly thought. ‘He’s an orphan.’ She already felt a kind of affection and concern that was almost maternal. ‘But he’s not handsome,’ she continued thinking, ‘He looks like the llama at the zoo in the Botanical Gardens: gentle and slightly offended.’ In an effort to stifle a scornful laugh, two dimples appeared on her rather pale cheeks; all the children of Paris had pale faces. She was a slim, graceful girl with a soft, serious face, grey eyes and hair as fine as mist. ‘What kind of husband would I like?’ she wondered. Her thoughts grew sweet and vague, full of handsome young men who looked like the Hussar from Napoleon’s Army on the print opposite her. A handsome, golden Hussar, a soldier covered in gunpowder and blood, dragging his sword behind him through the dead leaves… She leapt up to help her grandmother clear the table. She felt a jolt that brought her back from her dreams to reality; it was a unique and rather painful feeling: someone seemed to be forcing her to open her eyes while shining a very bright light in front of her. ‘Growing up is so tedious,’ she thought. ‘If only I could stay the way I am…’ She sighed rather hypocritically: it was flattering to inspire admiration in a young man, even if it was only the well-mannered Martial. Bernard Jacquelain had gone out on to the balcony and she joined him among the cages of canaries and turtledoves. The steel bridge vibrated: the metro had just passed by. A few moments later, Adolphe Brun came out to the children.‘The Humbert ladies are here,’ he said.They were friends of the Brun family, a widow and her daughter Renée, who was fifteen.Madame Humbert had lost her brilliant, charming husband early on. It was a sad story, but a good lesson for the youngsters, or so they said. Poor Monsieur Humbert (a talented lawyer), had died at the age of twenty-nine for having too great a fondness for both work and pleasure, which do not go together, as Adolphe Brun remarked. ‘He was a Don Juan,’ he would say, shaking his head, but with an expression of admiration, mixed with condemnation and a tiny bit of envy. Twirling his moustache and looking pensive, he would continue: ‘He had become very conscious of his appearance. He had thirty-six ties’ (thirty-six stood for an exaggerated number). ‘He had started to indulge in luxuries: a bath every week. He caught the chill that killed him coming out of one of the public baths.’His widow, left with no money, had been forced to open a milliner’s shop to earn a living. In the Avenue des Gobelins stood a boutique painted in sky blue; high up on the roof was a plaque bearing the inscription: ‘FASHIONS by GERMAINE’ finished with a gold flourish. Madame Humbert launched her creations on her own head and her daughter’s. She was a beautiful brunette; she carried herself with majestic dignity, showing off one of the first new straw hats to come out this spring, trimmed with a burst of artificial poppies. Her daughter wore a modest creation of tulle and ribbons: a stiff bonnet but as light as a lampshade. They had been waiting for these ladies before going out to finish their Sunday in the fresh air. And so they all headed for the metro at the Gare de Lyon. The children walked in front, Bernard between the two girls. Bernard was painfully aware of his short trousers and looked with anxiety and shame at the golden hair that shone on his sturdy legs, but he consoled himself by thinking: ‘This is the last year…’  Besides, his mother, who spoiled him, had bought him a cane with a gold knob and he played with this nonchalantly. Unfortunately, Adolphe noticed it and muttered: ‘He looks like a dandy with that cane in his hand…,’ which spoiled all his pleasure. Lively, always on the go, slim with beautiful eyes, to his mother he was the personification of masculine beauty, and with a jealous pang in her heart, she thought: ‘He’ll have so many conquests by the time he’s twenty,’ for she intended to keep him at home until then. The young women wore black cotton stockings with nice tailored suits that modestly covered their knees. Madame Humbert had made a hat for Thérèse just like Renée’s, an impressive creation decorated with chiffon and little bows. ‘You look like sisters,’ but what she really thought was: ‘My daughter, my Renée, is prettier. She’s a little doll, a kitten with her blond hair and green eyes. Older men are already starting to notice her,’ she continued thinking, for she was an ambitious mother who could foresee the future. Emerging from the depths of the underground, the little group came out of the metro at the Place de la Concorde and walked down the Champs-Élysées. The women carefully lifted the hem of their skirts a bit as they walked; you could see a respectable ruffle of grey poplin under Madame Jacquelain’s dress, a reddish-brown sateen for the elderly Madame Pain, while Madame Humbert, who had an ample bosom and made the most of her ‘Italian eyes’, was accidentally showing off a dapple grey taffeta ruffle that rustled silkily. The ladies were talking about love. Madame Humbert let it be known that she had driven a man wild with her strict morals; in order to forget her, he had to run away to the colonies, and from there he had written to tell her that he had trained one of the little natives to come into his tent at bedtime and say: ‘Germaine loves you and is thinking of you.’ ‘Men are often more sensitive than we are,’ sighed Madame Humbert. ‘Oh, do you think so?’ exclaimed Blanche Jacquelain. She had been listening with the same haughty, sharp expression as a cat eagerly eyeing a saucepan of hot milk (she stretches out her paw then pulls it back with a brief, offended miaow): ‘Do you really think so? It’s only we women who know how to sacrifice ourselves without any ulterior motive.’ ‘What do you mean by ulterior motive?’ asked Madame Humbert; she lifted her chin and flared her nostrils as if she were about to whinny like a mare. ‘My dear, you know very well what she means,’ replied Madame Jacquelain in disgust. ‘But that’s human nature, my dear…’ ‘Yes, yes,’ said the elderly Madame Pain, nodding her head and jiggling her jet-black hat covered in artificial violets, but she wasn’t really listening. She was thinking of the bit of veal (left over from the blanquette) that she would serve that evening. Just as it was or with a tomato sauce? Behind them walked the men, holding forth and gesturing grandly.The peaceful Sunday crowds walked down the Champs-Élysées. Everyone strolled slowly, no doubt feeling heavier because they were digesting their meals, because of the heat – early for the time of year – or simply because they felt no need to rush. It was an amiable, cheerful, modest group of ordinary middle-class people; the working classes didn’t venture there, and the upper classes only sent the very youngest members of their families to the Champs-Élysées, supervised by nannies wearing beautiful ribbons in their hair. Along the avenue, they could see students from the Military Academy of Saint Cyr walking arm in arm with their lovely grandmothers, or pale students in pince-nez, from the prestigious Polytechnique whose anxious families gazed lovingly at them, high school students in double-breasted jackets and school uniform caps, gentlemen with moustaches, young girls in white dresses walking down to the Arc de Triomphe between a double row of chairs where other students from Saint Cyr and the Polytechnique sat, with other gentlemen and ladies and children identical to the first group, wearing the same clothes, the same expression, the same smile, a look that was cordial, curious and benevolent, to such an extent that each passer-by seemed to see his own brother by his side. All these faces looked alike: pale-skinned, dull-eyed, and nose in the air.They walked even further, right down to the Arc de Triomphe, then to the Avenue du Bois de Boulogne, to the Boni de Castellane Villa whose lilac silk curtains fluttered out on to the balconies in the light breeze. And then, at last, the horse-drawn carriages arrived in a glorious cloud of dust, returning from the races. The families sat on their little metal chairs. They studied the foreign princes, the millionaires, the famous courtesans. Madame Humbert feverishly sketched their hats into a notebook she took out of her handbag. The children watched in admiration. The adults felt contented, satisfied, without envy but full of pride: ‘For the pittance we paid for our chairs and the price of the metro, we can see all of this,’ the Parisians thought, ‘and we can enjoy it. Not only are we spectators at a performance, we are also actors (though with the most minor of roles), with our daughters so beautifully decked out in their brand-new hats, and our chatter and legendary gaiety. We could have been born somewhere else, after all,’ thought the Parisians, ‘in a place where even seeing the Champs-Élysées on a postcard would have made everyone’s heart beat faster!’And they settled back comfortably in their chairs.


The Fires of Autumn (Vintage International), by Irene Nemirovsky

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8 of 9 people found the following review helpful. Excellent novel By HardyBoy64 I have read several of Nemirovsky's novels and this one is consistent with her other fine works. It doesn't quite reach the ethereal beauty of "Suite Francaise" or the deep character development seen in "Jezebel", but her prose, with its beauty and simplicity, stuns as it does in her other writings. With great ease, she is able to transition between narrating large, sweeping events (the two world wars) and the intimate,internal struggles of her characters. Thus, she is able to produce a feeling of epic grandeur in a novel of just over 200 pages. And, without giving too much away, I absolutely loved the last 30 pages, especially the last page. It's a beautiful ending to a well-told story.

4 of 5 people found the following review helpful. Deeply Emotional and Flawed Characters By Utah Mom After reading Irene Nemirovsky's masterpiece Suite Francaise, I immediately became enchanted by her insightful and luscious fiction. A few years later, I read and reviewed her All Our Worldly Goods. I was anxious for the opportunity to read The Fires of Autumn as it has recently been translated and republished.Written while Nemirovsky was in hiding in France, The Fires of Autumn takes its French characters from the horror of the first World War and delivers them only two decades later into the horrors of the second World War. In between, the former soldiers and the women they left behind struggle to survive in a changed world. Values, morals and belief systems have been shattered. Money speaks and corruption is rampant.Bernard Jacquelain is so young when he first enlists in the war. Surviving when so many others didn't, he's only sure that he no longer wants his old life when he returns from the war. He seeks the glamour and money that his new mistress's husband can provide and becomes ensnared in the corruption.Initially, I felt disconnected from the main characters. The reader is quickly introduced to many characters but as the story moves along their lives are weaved together in truly marvelous and thought provoking tale. I was enraptured by their lives of dissatisfaction as they each tried to fill the unquenchable void left behind after the first war. I cannot even fathom the heartache and defeat the people must have felt after one war to find themselves headed straight into another war so soon. The selfishness and greed that took over their lives is met with horrifying consequences.Nemirovsky was a great writer and I so appreciate her ability to write completely believable characters who are deeply flawed and yet deeply feel. Living through the wars, she was uniquely able to capture the emotions and actions of the people. While more depressing generally than All Our Worldly Goods, The Fires of Autumn is a valuable work of literature.

6 of 8 people found the following review helpful. Lyrical, poignant, captivating By Jaylia If you enjoyed Irene Nemirovsky's Suite Française, her novel of life in France during the German occupation of WWII, I think you will be just as enthusiastic about The Fires of Autumn. It has the same kind of sweeping but intimate storyline, and the same gorgeous prose style. Written in 1940, after Nemirovsky fled Paris and two years before her death at Auschwitz, The Fires of Autumn is being marketed as a “spiritual prequel” to Suite Française because though it doesn’t have the same characters it takes takes place in France in the years before the events of the other book.The Fires of Autumn follows a diverse but connected set of Parisian families from the days of optimistic confidence before WWI, and carries them through the despair and disillusionment of the war itself, the intoxicating moral and monetary temptations of the 1920’s, and the financial and cultural adjustments of the 1930’s. Fortunes are made and lost, affairs are begun and abandoned, and children grow up and have children of their own. The book concludes during the chaotic early years of WWII.Though many characters are involved, much of the story revolves around the sometimes tender but often fraught relationship between Thérèse Brun, who wants to live a simple, loving, traditional life, and Bernard Jacquelain, who is cynical after his harrowing experiences of trench warfare in WWI and bent on grasping all the pleasure he can through fast living, luxury surroundings, and assignations with willing women, not caring--at least at first--about the cost.So far I have loved everything I’ve read by Nemirovsky. She excels at painting a scene, so it’s easy to imagine the colors, ambiance, and smells of her settings. And she brings readers inside the hearts and minds of her characters in sometimes long internal monologues, but her writing is always sensually and emotionally rich, never dry. This is a compact book, only 240 pages long, but Nemirovsky makes every word and image count.

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The Fires of Autumn (Vintage International), by Irene Nemirovsky

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Trauma and Memory: Brain and Body in a Search for the Living Past: A Practical Guide for Understanding and Working with Traumatic Memory,

Trauma and Memory: Brain and Body in a Search for the Living Past: A Practical Guide for Understanding and Working with Traumatic Memory, by Peter A. Levine Ph.D.

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Trauma and Memory: Brain and Body in a Search for the Living Past: A Practical Guide for Understanding and Working with Traumatic Memory, by Peter A. Levine Ph.D.

Trauma and Memory: Brain and Body in a Search for the Living Past: A Practical Guide for Understanding and Working with Traumatic Memory, by Peter A. Levine Ph.D.



Trauma and Memory: Brain and Body in a Search for the Living Past: A Practical Guide for Understanding and Working with Traumatic Memory, by Peter A. Levine Ph.D.

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In Trauma and Memory, bestselling author Dr. Peter Levine (creator of the Somatic Experiencing approach) tackles one of the most difficult and controversial questions of PTSD/trauma therapy: Can we trust our memories? While some argue that traumatic memories are unreliable and not useful, others insist that we absolutely must rely on memory to make sense of past experience. Building on his 45 years of successful treatment of trauma and utilizing case studies from his own practice, Dr. Levine suggests that there are elements of truth in both camps. While acknowledging that memory can be trusted, he argues that the only truly useful memories are those that might initially seem to be the least reliable: memories stored in the body and not necessarily accessible by our conscious mind.While much work has been done in the field of trauma studies to address "explicit" traumatic memories in the brain (such as intrusive thoughts or flashbacks), much less attention has been paid to how the body itself stores "implicit" memory, and how much of what we think of as "memory" actually comes to us through our (often unconsciously accessed) felt sense. By learning how to better understand this complex interplay of past and present, brain and body, we can adjust our relationship to past trauma and move into a more balanced, relaxed state of being. Written for trauma sufferers as well as mental health care practitioners, Trauma and Memory is a groundbreaking look at how memory is constructed and how influential memories are on our present state of being.

Trauma and Memory: Brain and Body in a Search for the Living Past: A Practical Guide for Understanding and Working with Traumatic Memory, by Peter A. Levine Ph.D.

  • Amazon Sales Rank: #10837 in Books
  • Published on: 2015-10-27
  • Released on: 2015-10-27
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .60" w x 5.90" l, .81 pounds
  • Binding: Paperback
  • 206 pages
Trauma and Memory: Brain and Body in a Search for the Living Past: A Practical Guide for Understanding and Working with Traumatic Memory, by Peter A. Levine Ph.D.

Review “In Trauma and Memory, Peter Levine provides insight into how memories and the brain circuits involved in maintaining these memories empower trauma to influence how we think, feel, and interact. Levine has been a heroic pioneer in explaining how the damaging emotional memories associated with trauma are locked in our body. His paradigm-shifting intervention model, Somatic Experiencing, has been at the forefront of clinical interventions focused on moving trauma-induced implicit feelings, locked in the body, into an explicit understanding. Levine explains how the intransigent and omnipotent power of the implicit memories of trauma can be diffused and transformed.”—Stephen W. Porges, PhD, author of The Polyvagal Theory: Neurophysiological Foundations of Emotions, Attachment, Communication, and Self-regulation “Memory has many layers, and Peter Levine has contributed his own unique and powerful way of thinking about how we can understand these systems and optimize their unfolding after trauma. This book offers clinical wisdom drawn from decades of direct experience, demonstrating how a clinician—with focused attention and essential timing—can move unresolved, non-integrated memories into a resolved, integrated form that enables a coherent narrative to emerge and the individual to become liberated from the prisons of the past.”—Daniel J. Siegel, MD, author of Mindsight, The Mindful Therapist, and Pocket Guide to Interpersonal Neurobiology “Only after we become capable of standing back, taking stock of ourselves, reducing the intensity of our sensations and emotions, and activating our inborn physical defensive reactions can we learn to modify our entrenched maladaptive automatic survival responses and, in doing so, put our haunting memories to rest.”—Bessel A. van der Kolk, MD, author of The Body keeps the Score: Mind, Brain and Body in the Healing of Trauma  “In yet another seminal work Peter Levine here deconstructs traumatic memory, making it accessible to healing and transformation. He helps us—therapist or client—move from a limiting past to where we belong: the empowered present.”—Gabor Maté, MD, author of In the Realm of Hungry Ghosts: Close Encounters with Addiction and When the Body Says No: Exploring the Stress-Disease Connection “Arguably, much of our lives are spent at the mercy of the automatic brain; this is only accentuated for those who have experienced severe trauma. In writing with such depth and insight about the psychobiological dynamics of procedural memory, master therapist Peter Levine offers therapists important tools for the transformation of traumatic memory. Moreover, the writing and rich examples make this book accessible so that professionals and nonprofessionals alike can benefit from its wisdom.”—Stan Tatkin, PsyD, MFT, author of Wired for Love; founder of the PACT Institute “With this book, Dr. Levine has made another significant contribution to the treatment of trauma. Drawing on established neuroscience he explains, in clear and accessible terms, the various kinds of memory, their neurological bases, and their role in the treatment of trauma. This book is invaluable for clinicians wishing to improve their skills, laypeople wanting a deeper understanding of the way the mind and brain work to create and heal trauma, and scientists looking to understand the implications of modern neuroscience for the treatment of trauma by the body-oriented psychotherapies.”—Peter Payne and Mardi Crane-Godreau, PhD, researchers at the Geisel School of Medicine at Dartmouth College

About the Author Peter A. Levine, PhD, holds doctorates in both medical biophysics and psychology. The developer of Somatic Experiencing®, a body-awareness approach to healing trauma, Dr. Levine was a stress consultant for NASA on the development of the space shuttle project and was a member of the Institute of World Affairs Task Force of Psychologists for Social Responsibility in developing responses to large-scale disasters and ethno-political warfare. Levine's bestselling book Waking the Tiger: Healing Trauma has been translated into twenty-two languages. Levine's original contribution to the field of Body Psychotherapy was honored in 2010 when he received the Lifetime Achievement award from the United States Association for Body Psychotherapy (USABP). For further information on Dr. Levine's trainings, projects, and literature, visit www.traumahealing.com and www.somaticexperiencing.com.


Trauma and Memory: Brain and Body in a Search for the Living Past: A Practical Guide for Understanding and Working with Traumatic Memory, by Peter A. Levine Ph.D.

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50 of 53 people found the following review helpful. I was disappointed by this book By Kristin I was disappointed by this book. I was so pleased to see a book on trauma and memory, that I jumped to buy it, but though it starts out well, discussing the different forms of memory (declarative, episodic, emotional, and procedural), it soon narrows down into a consideration of only procedural memory and only a subset of that. Then it discusses his method of Somatic Experiencing and give case studies; it becomes clear that the discussion of memory is mainly to support his discussion of SE. Indeed, everything is centered around SE, not memory, including his criticisms (which sometimes made me cringe) of other therapists and researchers. So if you're looking for an interesting and clearly written account of SE, here it is, but if you're looking for a broad and objective account of traumatic memory, this isn't it.In case you'd like to look elsewhere, I can recommend the good (but much too short) discussion in The Body Keeps the Score (two chapters), the two interesting books by Lenore Terr (somewhat dated now), and the excellent web site: http://www.jimhopper.com/memory/

29 of 30 people found the following review helpful. Recommended for all trauma therapists and trauma survivors looking for more understanding of memory By Betty As a survivor of severe trauma I cried my way through the first part of this book, as the way I experience life somehow felt so validated. Peter obviously truly understands the territory and helped me to understand my own reactions and memory challenges better. I would recommend this book to anybody working with trauma survivors and trauma survivors themselves. There is so much misinformation around out there with regard to memory processes, and Peter has written a really clear explanation of the different types of memory and the issues around whether or not they are reliable. This book also has a very clear explanation of how to use the SIBAM model and pendulation to help someone to complete thwarted survival and orienting responses from the past, and even just on a first quick read has better empowered me to be with the sensations in my body. Thank you Peter, for being the pioneer you are and for bringing what you have learnt so clearly into the world through your writings.

20 of 21 people found the following review helpful. A Hero's Journey for Healing -- All Survivors Should Read This By Caleb Winebrenner What do you do when “talk therapies” don’t work? Could it be because your traumatic experiences are trapped deeper in the mind, in emotional and procedural (body) memory? In this groundbreaking book, Peter Levine, the creator of Somatic Experiencing, applies his 45 years of clinical experience with trauma survivors to the investigation and understanding of traumatic memory. Whether you are a healer or a survivor, this book is incredibly useful. I was especially drawn to the chapter “The Hero’s Journey.” Using case examples, Levine explains the processes that a survivor must go through, especially the push and pull of integrating traumatic memories into a narrative conception of self. (Having been born prematurely, I was deeply moved by his work with a child who had a medically difficult birth, and showed signs of trauma). The body holds on to our traumas, seeking resolution from those moments when our nervous systems were overloaded and our survival instincts could not respond adequately at the time. Like the heroes and heroines of myth, we must embark on a dark and mysterious journey into the deepest parts of ourselves. Healing, the boon of the journey, is not for the faint of heart. Throughout, though, Levine emphasizes the inherent drive for survival, even flourishing, inherent in all beings (and he even backs it with neuroscience!). Survivors are not “victims,” nor “failures.” The body may act as if a survivor has failed, trapping him in a feedback loop of trigger and response. But ultimately, we survived. We will triumph. Thus Levine writes about survivors with great warmth and encouragement. For me, this book explained so much of my own healing journey, and why certain therapies and modalities have not worked. Reading it, I’ve since contacted several practitioners of Levine’s methods -- I’m ready to. The way to healing is not in cognitively understanding a trauma, but in reconsolidating a memory of it such that we access our inherent healing resources, and are released from the pain of the events. Levine writes, “In the critical time period of recall there is an opportunity … to prevent [a memory] from reconsolidating in the original maladaptive form. This is done by introducing the new empowered bodily experiences … Reconsolidation is a profound opportunity to transform traumatic failure into embodied success” (p. 144). The thought alone is empowering. Your habitual responses don’t have to trap you forever. Your own instincts to survive and thrive are your ticket to release. On your hero’s journey, Peter Levine, and the many practitioners he’s trained, can be your guide. Blessings on the journey.

See all 23 customer reviews... Trauma and Memory: Brain and Body in a Search for the Living Past: A Practical Guide for Understanding and Working with Traumatic Memory, by Peter A. Levine Ph.D.


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Trauma and Memory: Brain and Body in a Search for the Living Past: A Practical Guide for Understanding and Working with Traumatic Memory, by Peter A. Levine Ph.D.

Trauma and Memory: Brain and Body in a Search for the Living Past: A Practical Guide for Understanding and Working with Traumatic Memory, by Peter A. Levine Ph.D.
Trauma and Memory: Brain and Body in a Search for the Living Past: A Practical Guide for Understanding and Working with Traumatic Memory, by Peter A. Levine Ph.D.

Who Buries the Dead (Sebastian St. Cyr Mystery Book 10), by C.S. Harris

Who Buries the Dead (Sebastian St. Cyr Mystery Book 10), by C.S. Harris

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Who Buries the Dead (Sebastian St. Cyr Mystery Book 10), by C.S. Harris

Who Buries the Dead (Sebastian St. Cyr Mystery Book 10), by C.S. Harris



Who Buries the Dead (Sebastian St. Cyr Mystery Book 10), by C.S. Harris

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The grisly murder of a West Indies slave owner and the reappearance of a dangerous enemy from Sebastian St. Cyr’s past combine to put C. S. Harris’s “troubled but compelling antihero” (Booklist) to the ultimate test in this taut, thrilling mystery.London, 1813. The vicious decapitation of Stanley Preston, a wealthy, socially ambitious plantation owner, at Bloody Bridge draws Sebastian St. Cyr, Viscount Devlin, into a macabre and increasingly perilous investigation. The discovery near the body of an aged lead coffin strap bearing the inscription King Charles, 1648 suggests a link between this killing and the beheading of the deposed seventeenth-century Stuart monarch. Equally troubling, the victim’s kinship to the current Home Secretary draws the notice of Sebastian’s powerful father-in-law, Lord Jarvis, who will exploit any means to pursue his own clandestine ends.Working in concert with his fiercely independent wife, Hero, Sebastian finds his inquiries taking him from the wretched back alleys of Fish Street Hill to the glittering ballrooms of Mayfair as he amasses a list of suspects who range from an eccentric Chelsea curiosity collector to the brother of an unassuming but brilliantly observant spinster named Jane Austen.But as one brutal murder follows another, it is the connection between the victims and ruthless former army officer Sinclair, Lord Oliphant, that dramatically raises the stakes. Once, Oliphant nearly destroyed Sebastian in a horrific wartime act of carnage and betrayal. Now the vindictive former colonel might well pose a threat not only to Sebastian but to everything—and everyone—Sebastian holds most dear. From the Hardcover edition.

Who Buries the Dead (Sebastian St. Cyr Mystery Book 10), by C.S. Harris

  • Amazon Sales Rank: #27139 in eBooks
  • Published on: 2015-03-03
  • Released on: 2015-03-03
  • Format: Kindle eBook
Who Buries the Dead (Sebastian St. Cyr Mystery Book 10), by C.S. Harris

Review

“This riveting historical tale of tragedy and triumph...will enthrall you!”—Sabrina Jeffries, New York Times bestselling author of If the Viscount Falls   “With such well-developed characters, intriguing plot lines, graceful prose, and keen sense of time and place based on solid research, this is historical mystery at its best.”—Booklist*   “Unbearably exciting, filled with historical details, multiple suspects and, unexpectedly, Jane Austen, the reader will not be able to put this down.”—RT Book Reviews   “Harris is one of the best historical mystery writers I’ve read, capturing the reader’s interest and imagination from the first page . . . A most enjoyable read.”—Historical Novel Society

About the Author C. S. Harris is the national bestselling author of more than twenty novels, including the Sebastian St. Cyr mysteries; as C. S. Graham, a thriller series coauthored with former intelligence officer Steven Harris; and seven award-winning historical romances written under the name Candice Proctor. A respected scholar with a PhD in nineteenth-century Europe, she is also the author of a nonfiction historical study of the French Revolution. She lives with her husband in New Orleans and has two grown daughters.

Excerpt. © Reprinted by permission. All rights reserved.

The Sebastian St. Cyr Series

Chapter 1

Sunday, 21 March 1813

T hey called it Bloody Bridge.

It lay at the end of a dark, winding lane, far beyond the comforting flicker of the oil lamps of Sloane Square, beyond the last of the tumbledown cottages at the edge of a vast stretch of fields that showed only black in the moonless night. Narrow and hemmed in on both sides by high walls, the bridge was built of brick, worn and crumbling with age and slippery with moss where the elms edging the rivulet cast a deep, cold shade.

Cian O’Neal tried to avoid this place, even in daylight. It had been Molly’s idea to come here, for on the far side of the bridge lay a deserted barn with a warm, soft hayloft that beckoned to young lovers in need. But now as the wind tossed the elms along the creek and brought the distant, mournful howl of a dog, Cian felt the hard, pulsing urgency that had driven him here begin to ebb.

“Maybe this ain’t such a good idea, Molly,” he said, his step lagging. “The barn, I mean.”

She swung to face him, dark eyes shiny in a plump, merry face. “What’s the matter, Cian?” She pressed her warm, yielding body against his, her voice husky. “You havin’ second thoughts?”

“No. It’s just . . .”

The wind gusted up stronger, banging a shutter somewhere in the night, and he jerked.

To his shame, he saw enlightenment dawn on her face, and she gave a trill of laughter. “You’re scared.”

“No, I ain’t,” he said, even though they both knew it for a lie. He was a big lad, eighteen next month and strong and hale. But at the moment, he felt like a wee tyke frightened by old Irish tales of the Dullahan.

She caught his hand in both of hers and backed down the lane ahead of him, pulling him toward the bridge. “Come on, then,” she said. “How ’bout if I cross first?”

It had rained earlier in the evening, a brief but heavy downpour that left the newly budding leaves of the trees dripping moisture and the lane slippery with mud. He felt an icy tickle at the base of his neck and tried to think about the sweet warmth of the hayloft and the way Molly’s soft, eager body would feel beneath his.

They were close enough to the bridge now that Cian could see it quite clearly, its single arch a deeper black against the roiling darkness of the sky. But something wasn’t quite right, and he felt his scalp prickle, his breath catch, as the silhouette of a man’s head loomed before them.

“What is it?” Molly asked, the laughter draining from her face as she whirled around and Cian started to scream.

Chapter 2

Monday, 22 March, the hours before dawn

T he child lay curled on his side in a cradle near the hearth, his tiny pink lips parted with the slow, even breath of sleep. He had one tightly clenched fist tucked up beneath his chin, and in the firelight the translucent flesh of his closed eyelids looked so delicate and fragile that it terrified his father, who stood watching him. Someday this infant would be Viscount Devlin and then, in time, the Earl of Hendon. But now he was simply the Honorable Simon St. Cyr, barely seven weeks old and oblivious to the fact that he had no more real right to any of those titles than his father, Sebastian St. Cyr, the current Viscount Devlin.

Devlin rested the heel of one outthrust palm against the mantelpiece. His breath came harsh and ragged, and sweat sheened his naked flesh despite the air’s chill. He’d been driven from his sleep by memories he generally chose not to revisit during daylight. But he could not stop the images that came to him in the quiet hours of darkness, visions of dancing flames, of a woman’s tortured body writhing in helpless agony, of soft brown hair fluttering against the waxen flesh of a dead child’s cheek.

The past never leaves us, he thought. We carry it with us through our lives, a ghostly burden of bittersweet nostalgia threaded with guilt and regret that wearies the soul and whispers to us in the darkest hours of the night. Only the youngest children are truly innocent, for their consciences are still untroubled, their haunted days yet to come.

He shuddered and bent to throw more coal on the fire, moving carefully so as not to wake the sleeping babe or his mother.

When Sebastian was a child, it had been the custom for the infants of the aristocracy and the gentry to be farmed out to wet nurses, often not returning to their own families until they were two years of age. But it was becoming more common now for even duchesses to choose to nurse their own offspring, and Hero, the child’s mother and Sebastian’s wife of eight months, had been adamantly against hiring a wet nurse.

His gaze shifted to the blue silk–hung bed where she slept, her rich dark hair spilling across the pillow. And he felt it again, that nameless wash of apprehension for this woman and this child that he dismissed as lingering wisps from his dream and fear born of a guilt that could never be assuaged.

A clatter of hooves and the rattle of carriage wheels over granite paving stones carried clearly in the stillness of the night. Sebastian raised his head, his body tensing as the carriage jerked to a halt and a man’s quick, heavy tread ran up his front steps. He heard the distant peal of his bell, then a gruff, questioning shout from his majordomo, Morey.

“Message for Lord Devlin,” answered the unknown visitor, his voice strained by a sense of urgency and what sounded very much like horror. “From Sir Henry, of Bow Street!”

Sebastian threw on his dressing gown and slipped quietly from the room.

Chapter 3

T he head had been positioned near the end of one of the low brick walls lining the old bridge, its sightless face turned as if to watch anyone unwary enough to approach. A man’s head, it had thick, graying dark hair, heavy eyebrows, and a long, prominent nose.

“Nasty business, this,” said the burly constable, the pine torch in his hand hissing and spitting as he held it aloft in the blustery wind.

Sir Henry Lovejoy, the newest of Bow Street’s three stipendiary magistrates, watched the golden light dance over the pale features of that frozen, staring face and felt his stomach give an uncomfortable lurch.

The night was unusually cold and starless, the flaring torches of the constables fanning out along the banks of the small stream filling the air with the scent of burning pitch. They’d need to make a more thorough search of the area in the morning, of course. But this was a start.

Even in daylight, this rutted, muddy lane was seldom traveled, for beyond the winding rivulet spanned by the narrow, single-arched bridge lay a vast open area of market and nursery gardens known as the Five Fields. All were shrouded now in an eerie blackness so complete as to seem impenetrable.

Hunching his shoulders against the cold, Lovejoy moved to where the rest of the unfortunate gentleman’s strong, solid body lay sprawled in the lane’s grassy verge, his once neatly arranged linen cravat disordered and stained dark, the raw, hacked flesh of his neck too gruesome to bear close inspection. He’d been Lovejoy’s age, in his fifties. That should not have bothered Lovejoy, but for some reason he didn’t care to dwell on, it did. He drew a quick breath fouled with a heavy, coppery stench and groped for his handkerchief. “You’re certain this is—was—Mr. Stanley Preston?”

“I’m afraid so, sir,” said the constable. A stout young man with bulging eyes, he towered over Lovejoy, who was both short and slight. “Molly—the barmaid from the Rose and Crown—recognized the, er, head, sir. And I found his calling cards in his pocket.”

Lovejoy pressed the folded handkerchief to his lips. Under any circumstances, such a gruesome murder would be cause for concern. But when the victim was cousin to Lord Sidmouth, a former prime minister who now served as Home Secretary, the ramifications had the potential to be serious indeed. The local magistrate had immediately called in Bow Street and then withdrawn from the investigation entirely.

The sound of an approaching carriage, driven fast, jerked Lovejoy’s attention from the blood-drenched corpse at their feet. He watched as a sleek curricle drawn by a pair of fine chestnuts swung off Sloane Street to run along the north side of the square and enter the shadowy lane leading to the bridge.

The driver was a gentleman, tall and lean, wearing a caped coat and elegant beaver hat. At the sight of Lovejoy, he drew up, and the half-grown groom, or tiger, who clung to a perch at the rear of the carriage leapt down to run to the horses’ heads. “Best walk them, Tom,” said Devlin, jumping lightly from the curricle’s high seat. “That’s a nasty wind.”

“Aye, gov’nor,” said the boy.

“My lord,” said Lovejoy, moving thankfully to meet him. “My apologies for calling you out in the middle of such a wretched night. But I fear this case is worrisome. Most worrisome.”

“Sir Henry,” said Devlin. Then his gaze shifted beyond Lovejoy, to the severed head perched at the end of the bridge, and he let out a harsh breath. “Good God.”

The Viscount was some two score and five years younger than Lovejoy and stood at least a foot taller, with hair nearly as dark as a Gypsy’s and strange amber eyes that gleamed a feral yellow in the torchlight as the two men turned to walk toward the stream. “Have you learned anything yet?” he asked.

“Nothing, really, beyond the victim’s identity.”

They had first met when Devlin was wanted for murder and Lovejoy had been determined to bring him in to trial. In the two years since that time, what had begun as respect had deepened into an unlikely friendship. In Devlin, Lovejoy had found an unexpected ally with a fierce passion for justice, a brilliant mind, and a rare genius for solving murders. But the young Viscount also possessed something no Bow Street magistrate or constable could ever hope to acquire: an innate understanding and knowledge of the rarified world of gentlemen’s clubs and Society balls frequented by the likes of the man whose head now decorated this deserted bridge on the edge of Hans Town and Chelsea.

“Were you acquainted with Mr. Preston, my lord?” Lovejoy asked as Devlin paused to study the dead man’s bloodless features. The wind shifted the graying hair in a way that, for one horrible moment, made the man seem almost alive.

“Only slightly.”

Preston’s fine beaver hat lay upside down at the base of the pier, and Devlin bent to pick it up, his face thoughtful as he felt the crown and brim.

Lovejoy said, “I fear Bow Street is going to come under tremendous pressure from both the Palace and Westminster to solve this. Quickly.”

Devlin’s gaze shifted to meet his. They both understood the ways in which that kind of pressure could lead to the hasty arrest and conviction of an innocent man. “You’re asking for my help?”

“I am, yes, my lord.”

Lovejoy waited anxiously for a response. But the Viscount simply stared off across the darkened fields, his face giving nothing away.

Lovejoy knew Devlin’s own near-fatal encounter with the clumsy workings of the British legal system had much to do with his dedication to seeking justice for the victims of murder. But the magistrate had always suspected there was more to it than that. Something had happened to the Viscount—some dark but unknown incident in the past that had driven him to resign his commission in the Army and embark on a path of self-destruction from which he had only recently begun to recover.

The wind gusted up stronger, thrashing the limbs of the elms along the creek and sending a torn playbill scuttling across the bridge’s worn brick paving. Devlin said, “The crown and upper brim of Preston’s hat are wet, but not the underside. And since the hair on his head looks dry too, I’d say he was out walking in the rain but was killed after it let up. What time was that?”

“About half past ten,” said Lovejoy, and let go a sigh of relief.

Chapter 4

S ebastian turned to where Preston’s body lay on its back, arms flung out to the sides, one leg slightly bent, the wet grass dark with his blood. He’d seen many such sights—and worse—in the six years he’d spent in the Army. But he’d never become inured to carnage. He hesitated for the briefest moment, then hunkered down beside the headless corpse.

“Who found him?” he asked, resting a forearm on one knee.

“A barmaid and stableboy from the Rose and Crown,” said Lovejoy. “Just after eleven. It was the barmaid—Molly Watson, I believe she’s called—who alerted the local magistrate.”

Sebastian twisted around to study the deserted lane. “What was she doing here at that time of night?”

“I haven’t actually spoken to her. Sir Thomas—the local magistrate—told her she could go home before I arrived. But from what I understand, she couldn’t seem to come up with a coherent explanation.” Lovejoy’s voice tightened with disapproval. “Sir Thomas says he suspects their destination was the hayloft of that barn over there.”

Sebastian had to duck his head to hide a smile. A staunch reformist, Lovejoy lived by a strict personal moral code and was therefore frequently shocked by the activities of those whose approach to life was considerably freer than his own.

“Was his greatcoat open like this when he was found?” asked Sebastian. He could see Preston’s pocket watch lying on the ground beside his hip, still fastened to its gold chain.

“One of the constables said something about searching the man’s pockets for his cards. I suspect he must have opened the greatcoat in the process.”

Sebastian jerked off one glove and reached out to touch the blood-soaked waistcoat. His hand came away wet and sticky. “He’s still faintly warm,” he said, wiping his hand on his handkerchief. “Do you know when he was last seen?”

“According to his staff, he went out around nine. His house isn’t far from here—just off Hans Place. I’m told he was a widower with two grown children—a son in Jamaica and an unmarried daughter. Unfortunately, the daughter spent the evening with friends and has no knowledge of her father’s plans for the night.”

Sebastian let his gaze drift over the darkened, grassy banks of the nearby stream. “I wonder what the devil he was doing here. Somehow I find it doubtful he was looking for a warm hayloft.”

“I shouldn’t think so, no,” said Sir Henry, clearing his throat uncomfortably.

Sebastian pushed to his feet. “You’ll be sending the body to Gibson?” he asked. A one-legged Irish surgeon with a dangerous opium addiction, Paul Gibson could read the secrets of a dead body better than anyone else in England.

Sir Henry nodded. “I doubt he’ll be able to tell us anything beyond the obvious, but I suppose we ought to have him take a look.”

Sebastian brought his gaze, again, to the head on the bridge, the puddle of blood beneath it congealed in the cold. “Why cut off his head?” he said, half to himself. “Why display it on the bridge?” It had been the practice, once, to mount the heads of traitors on spikes set atop London Bridge. But that barbarity had been abandoned nearly a hundred and fifty years ago.

“As a warning, perhaps?” suggested Sir Henry.

“To whom?”

The magistrate shook his head. “I can’t imagine.”

“It takes a powerful hatred—or rage—to drive most people to mutilate the body of another human being.”

“Rage, or madness,” said Sir Henry.

“True.”

Sebastian went to study the ground near the bridge’s old brick footings. He carried no torch, but then, he didn’t need one, for there was an animal-like acuity to his eyesight and hearing that enabled him to see great distances and in the dark, and to distinguish sounds he’d come to realize were inaudible to most of his fellow men.

“What is it?” asked Sir Henry as Sebastian slid down to the water’s edge and bent to pick up an object perhaps a foot and a half in length and three or four inches wide, but very thin.

“It appears to be an old metal strap of some sort,” said Sebastian, turning it over in his hands. “Probably lead. It’s been freshly cut at both ends, and there’s an inscription. It says—” He broke off.

“What? What does it say?”

He looked up. “It says, ‘King Charles, 1648.’”

“Merciful heavens,” whispered Sir Henry.

Every English schoolboy knew the story of King Charles I, grandson of Mary, Queen of Scots. Put on trial by Oliver Cromwell and his Puritan cohorts, he was beheaded on 30 January 1649. Only, because the old-style calendar reckoned the new year as beginning on 25 March rather than the first of January, chroniclers of the time recorded the execution date as 1648.

“Perhaps it’s unrelated to the murder,” said Sir Henry. “Who knows how long it’s been here?”

“The top surface is dry, so it must have been dropped since the rain let up.”

“But . . . what could a man like Stanley Preston possibly have to do with Charles I?”

“Aside from sharing the manner of his death, you mean?” said Sebastian.

The magistrate tightened his lips in a way that whitened the flesh beside his suddenly pinched nostrils. “There is that.”

A church bell began to toll somewhere in the distance, then another. The mist was beginning to creep up from the river, cold and clammy; Sebastian watched as Sir Henry stared off down the lane to where the oil lamps of Sloane Square now showed as only a murky glow.

“It’s frightening to think that the man who did this is out there right now,” said the magistrate. “Living amongst us.”

And he could do it again.

Neither Sir Henry nor Sebastian said it. But the words were there, carried on the cold, wild wind.

Chapter 5

T he smell of freshly spilled blood had spooked the horses so that Sebastian had his hands full as he turned the curricle toward home.

“Is that really an ’ead on the bridge?” Tom asked as they swung into Sloane Street. “A man’s ’ead?”

“It is.”

The tiger let out his breath in a rush of ghoulish excitement. “Gor.”

Small and sharp faced, the boy had been with Sebastian for more than two years now. Not even Tom knew his exact age or his last name. He’d been living alone on the streets when he’d tried to pick Sebastian’s pocket—and ended up saving Sebastian’s life.

More than once.

Sebastian said, “It belongs—or I suppose I should say belonged—to a Mr. Stanley Preston.”

Tom must have caught the inflection in Sebastian’s voice, because he said, “I take it ye didn’t much care for the cove?”

“I barely knew him, actually. Although I must admit I have difficulties with men whose wealth comes from sugar plantations in the West Indies.”

“Because they grow sugar?”

“Because their plantations are worked not by tenants, but by slaves—mostly Africans, although they also use transported Irish and Scottish rebels.”

They bowled along in silence until they’d passed the Hyde Park Turnpike and were weaving their way through the quiet, rain-drenched streets of Mayfair. Then Tom said suddenly, “If ye didn’t like ’im, then why ye care that somebody offed ’im?”

“Because even those who own West Indies plantations don’t deserve to be brutally murdered. Apart from which, I find the idea of sharing my city with someone who goes around cutting off the heads of his enemies somewhat disconcerting.”

“Discon-what?”

“Disconcerting. It makes me feel . . . uncomfortable.”

“I reckon it was a Frenchman,” said Tom, who had a profound suspicion of foreigners in general and the French in particular. “They’re always cuttin’ off folks’ ’eads.”

“An interesting theory that certainly merits consideration.” Sebastian drew up before the front steps of his Brook Street town house. The oil lamps mounted on either side of the door cast a soft pool of golden light across the wet paving, but the house itself was dark and quiet, its inhabitants still sleeping. “Take care of the horses, then go to bed and stay there. It’s nearly dawn.”

Tom scrambled forward to take the reins as Sebastian dropped lightly to the pavement. “Ye gonna ’ave a lie-in?”

“No.”

“Then I don’t reckon I will,” said Tom, his chin jutting forward mulishly.

Sebastian grunted. The lad’s grasp of the concept of obedience was still rather shaky.

He watched Tom drive off toward the mews, then turned to enter the house. Moving quietly, he stripped off his clothes in the dressing room and slipped into bed beside Hero. He didn’t want to wake her. But the need to feel her warm, vital body against his was too strong. He carefully slid one arm around her waist and pressed his chest against the long line of her back.

Her hand came up to rest on his, and in the darkness he saw her lips curve into a soft smile as she shifted so she could look at him over her shoulder. “You were a long time,” she said. “Was it as bad as Sir Henry’s message led you to expect?”

“Worse.” He buried his face in the dark, fragrant fall of her hair. “Go back to sleep.”

“Can you sleep?”

“In a while.”

“I can help,” she said huskily, her hand sliding low over his naked hip, his breath catching in his throat as she turned in his arms and covered his mouth with hers.

He came downstairs the next morning to find Hero in the entryway wearing a hunter green pelisse and velvet hat with three plums. She was pulling on a pair of soft kid gloves but paused when she looked up and saw him.

“Well, good morning,” she said, her eyes gently smiling at him. “I didn’t expect to see you up this early.”

“It’s not early.”

She shifted to adjust her hat in the looking glass over the console. “It is when you’ve been up most of the night.”

She was an extraordinarily tall woman, nearly as tall as Sebastian, with hair of a rich medium brown and fine gray eyes that sparkled with an intelligence of almost frightening intensity. She had the kind of looks more often described as handsome than pretty, with a strong chin, a wide mouth, and an aquiline nose she had inherited from her father, Lord Jarvis, a distant cousin of the mad old King George and the real power behind the Prince of Wales’s fragile regency. Once, Jarvis had tried to have Sebastian killed—and undoubtedly still would, if he found it expedient.

“Another interview?” he asked, watching her tilt her hat just so. “What is it this time? Dustmen? Chimney sweeps? Flower girls?”

“Costermongers.”

“Ah.”

She was writing a series of articles on London’s working poor that she intended to eventually gather together into a book. It was a project that disgusted her father, both because he considered such activities unsuitable for a female, and because the entire undertaking smacked of the kind of radicalism he abhorred. But then, Hero had never allowed her father’s expectations or prejudices to constrain her.

She said, “Stanley Preston’s murder is in all the morning papers. Was he truly decapitated?”

“He was.”

She pivoted slowly to face him again, her eyes wide and still.

He said, “Do you have a moment? There’s something I’d like you to see.”

“Of course.” Slipping off her pelisse, she followed him into the library, where he’d left the ancient metal strap on his desk.

“I found this not far from Preston’s body.” He handed her the length of lead and gave her a brief description of the scene at the bridge.

“‘King Charles, 1648,’” she read, then looked up at him. “I don’t understand. What is it?”

“I could be wrong, but I’ve seen strips of metal like this before, wrapped around old coffins.”

“Surely you’re not suggesting this came from the coffin of Charles I?”

“I don’t know. But it’s telling the inscription reads, ‘King Charles’ rather than ‘Charles I,’ and 1648 rather than 1649. Where exactly is Charles I buried? I’ve realized I have no idea.”

“No one does. After the execution, there was talk of interring him in Westminster Abbey. But Cromwell refused to allow it, so the King’s men took the body away at night and buried it in secret. There are conflicting reports about what they did with him. I’ve heard speculation he may be somewhere in St. George’s Chapel in Windsor Castle. But no one knows for certain.” She frowned. “What were Preston’s politics?”

“I’d be surprised if he nourished any secret nostalgia for the Stuarts, if that’s what you’re thinking.”

She ran her fingertips over the scrolled engraving, her features composed but thoughtful. “Do you mind if I show it to Jarvis?” she asked, reaching for her pelisse again.

“He’s not going to like my involving you in another murder investigation.”

“Don’t worry,” she said as Sebastian took the pelisse from her hands to help her with it. “I seriously doubt he could dislike you more than he already does.”

He laughed at that. Then he turned her in his arms, his hands lingering on her shoulders, his laughter stilling.

“What?” she asked, watching him.

“Just that . . . whoever killed Stanley Preston was either driven by a rage bordering on madness, or he is mad. And of the two, I’m not certain which makes him more dangerous.”

“Madness is always frightening, I suppose because it is so incomprehensible. Yet I think I’d fear more the man who is brutal but sane, and therefore capable of shrewd, cold calculation.”

“Because he’s clever?”

“That, and because he’s less likely to make mistakes.”

Chapter 6

S ebastian ordered his curricle brought round and came out of the house half an hour later to find Tom walking the grays up and down Brook Street. It had rained again sometime in the early morning hours, leaving the pavement wet, with dull, heavy clouds that pressed down on the city’s crowded rooftops and soaring chimneys. The horses’ breath showed white in the cold.

“If you fall asleep and tumble off your perch,” said Sebastian, taking the reins, “I won’t stop and pick you up.”

But Tom simply laughed and scrambled back to his place.

They headed south, curling around the edge of Hyde Park, where faint wisps of mist still drifted through the trees and the distant clumps of shrubs were no more than blurred shadows.

There’d been a time not so long ago when Knightsbridge and Hans Town were sleepy, pleasant villages lying several miles beyond the sprawl of London. Now, neat terrace houses of three and five stories—plus basements and attics—lined spacious squares and a broad thoroughfare called Sloane Street that stretched from Knightsbridge down toward Chelsea and the Thames. This was a district favored by prosperous barristers, physicians, and bankers, with a scattering of respectable lodging houses and workshops and a few more modest but comfortable homes for tradesmen.

Reluctant to disturb Preston’s grieving daughter so early in the day, Sebastian went instead to the Rose and Crown. A well-tended inn built of brick in the last years of the eighteenth century, it had a freshly whitewashed arch leading to a bustling yard and a public room that smelled of bacon and wood smoke and hearty ale. A buxom, dark-haired, dark-eyed girl of perhaps sixteen was wiping the tables when Sebastian walked in.

“You’re Molly?” he asked.

She turned, a smile lighting up her pretty face as she let her gaze rove over him in frank assessment. “I am. Who’re you?”

“Devlin. I wonder if I might ask you a few questions about last night?”

The smile disappeared and she retreated behind the gleaming oak counter that stretched along one wall. “What you want t’ know fer? You don’t look like no beak t’ me.”

“I’m not.” He laid a coin on the counter between them, the metal clicking softly against the polished wood. “I’m told you recognized Mr. Preston last night. Did he come here often?”

Her hand flashed out, and the coin disappeared. “Sometimes. Though he mostly favored the Monster.”

“The Monster?”

She jerked her head toward the west. “It’s just off Sloane Street.” She wrinkled her little button of a nose. “The place is so old you have t’ walk down a couple of steps to get in the front door.”

Sebastian let his gaze wander around the taproom, with its neat round tables and straight-backed chairs and gleaming wainscoting. “Did Mr. Preston come in here last night?”

“Nah. Ain’t seen him for a fortnight or more.”

“When he would come in, what did he drink?”

“Ale, mostly. But he weren’t no lush, if that’s what you’re askin’. Usually, he’d just pop in for a quick pint of an evenin’, then leave.”

Sebastian brought his gaze back to her pretty, expressive face. “I understand you’re the one who told the magistrate what you’d found at the bridge. But someone else was with you, wasn’t he? Someone from the stables?”

“Cian O’Neal.” Her voice dripped scorn. “Took one look at that head sittin’ up there and started screamin’ like he weren’t never gonna stop. When I said, ‘We gotta go tell Sir Thomas,’ he took t’ shakin’ all over, and his eyes got so big I thought they was gonna pop right out of his head. I grabbed hold of his arm, but he jerked away and run off. Never even looked back.”

“Did you see anyone else near the bridge?”

She stared at him. “What’re you thinkin’? That there was two heads there?”

“I was wondering if you might have seen someone running away as you walked up the lane.”

“No. I remember laughin’ at Cian because it was so dark and quiet, he was scared even before we seen the head.”

“Can you think of any reason for Mr. Preston to have been at the bridge at that time of night?”

Her eyes widened slightly. “Never thought about that, but . . . Well, no. Truth is, most folks around here tend t’ avoid Bloody Bridge after dark.”

“Bloody Bridge?”

“That’s what it’s called, you know.”

“No, I didn’t know.”

She sniffed, nearly as contemptuous of his ignorance as she was of poor Cian O’Neal’s terror. “Folks say it’s haunted by those who’ve died there over the years.”

“Yet you weren’t afraid to go there,” said Sebastian.

She shrugged. “It’s the quickest way t’ get t’ Five Fields, ain’t it?”

“And why would you want to go to Five Fields at night?”

She gave him an impish smile and raised her eyebrows in a knowing look. “I won’t be goin’ there with Cian again, that’s fer sure.”

“Tell me, what did you think of Mr. Preston?”

She shrugged. “He never give me no trouble, the way some of ’em do, if that’s what yer askin’.”

“Have you heard anyone speculating about what they think might have happened to him?”

“Most folks’re sayin’ footpads must’ve done it, which just goes t’ show what they know.”

“What makes you so certain it wasn’t footpads?”

She lifted her chin. “Why, I could see his pocket watch, couldn’t I? Danglin’ from its chain like he was just checkin’ the time. Ain’t no footpad gonna go t’ all the trouble of cuttin’ off a feller’s head and then leave his watch like that.”

“Mr. Preston’s greatcoat was unbuttoned when you saw him?”

She frowned. “Well, I guess it musta been. Didn’t really think about it, but, yeah, I reckon it was.”

Sebastian made inquiries at the stables, but Cian O’Neal hadn’t come to work that morning. He eventually tracked the lad to a tumbledown cottage off Wilderness Row, where he lived with his widowed mother and five younger siblings.

Sebastian’s knock was answered by the lad’s mother, a rail-thin, worn-down woman with gray-threaded hair who looked sixty but was probably younger than forty, judging by the squalling infant in her arms.

“Beggin’ your pardon, me lord,” she said, dropping a curtsy when Sebastian explained who he was and the purpose of his visit, “but I’m afraid you won’t be gettin’ much sense out of Cian. He didn’t sleep a wink all night—just sat in the corner by the fire and shivered. Some constable come by here from Bow Street and tried to talk to him a bit ago, and the poor lad started babblin’ all sorts of nonsense about havin’ seen the Dullahan.”

Sebastian had heard of the Dullahan. A figure in Irish folklore said to be a horseman dressed all in black and astride a black, fire-breathing stallion, he rode the darkened lanes and byways, carrying his own head in his hand. According to legend, whenever the Dullahan stops, a man, woman, or child dies.

Sebastian said, “I’d like to try talking to him.”

He knew by the worry pinching the woman’s face that she’d rather have denied him. But she belonged to a class whose members had been trained since birth to obey their “betters.”

She dropped a curtsy and stood back to let him enter.

The cottage was clean but wretchedly poor, with low, heavy beams, a swept dirt floor, and a worm-eaten old table with benches that looked as if they’d been knocked together from scrap wood picked up off the street. Of one room only, the place had a mattress in an alcove half-hidden behind a tattered curtain and a pegged, roughly hewn ladder that led up to a loft.

Cian O’Neal sat on a low, three-legged stool before the fire, his shoulders hunched forward, his hands thrust together between his tightly clasped knees. He was a fine-looking lad of seventeen or eighteen, big and strapping and startlingly handsome, with clear blue eyes and golden hair that curled softly against his lean cheeks. He kept his attention fixed on the fire, as if oblivious to Devlin’s approach. But when his mother touched him on the shoulder, he jerked violently and looked up at her with wide, terrified eyes.

“Here’s a lord come to talk to you, Cian,” she said gently. “About last night.”

The boy’s gaze slid from her face to Sebastian. A spasm passed over his features, the chest beneath his thin smock jerking visibly with his quick, agitated breathing.

Sebastian said, “I just want to know if you saw anything—heard anything—that might help us figure out what happened last night.”

The boy opened his mouth, the air rasping in his constricted throat as he drew a deep breath that came out in a high-pitched, terrified scream.

Sebastian pressed a coin into the poor woman’s hand and left.

Chapter 7

“You aren’t seriously suggesting that I might somehow know who killed Stanley, or why? Good God!”

Henry Addington, First Viscount Sidmouth and Home Secretary of the United Kingdom of Great Britain and Ireland, stood with his hands clenched at his sides, his gaze on the big man who sat at his ease in a tapestry-covered armchair beside the empty hearth of his Carlton House chambers.

Charles, Lord Jarvis, fingered the handle of a diamond-studded quizzing glass he’d lately taken to wearing on a riband around his neck. “You would have me believe you do not?”

“Of course not!”

Jarvis pursed his lips. He was an unusually large man, impressive in both height and breadth, his face fleshy, his lips full and unexpectedly sensual, the aquiline nose he’d bequeathed to his daughter, Hero, lending a harsh cast to his face. Addington might be Home Secretary while Jarvis carried no official title, but Jarvis was by far the more powerful man. He owed his preeminence not to his kinship with the King—which was distant—but to the brilliance of his mind and the unflinching ruthlessness of the methods he was willing to use to protect the power and prestige of the monarchy at home and the interests of Britain abroad. The only thing that had kept the Prince Regent from suffering the same fate meted out to his fellow royals across the Channel was Jarvis, and most people knew it.

Jarvis raised his quizzing glass to one eye and regarded the Home Secretary through it. “You would have me believe this murder has nothing to do with you?”

“Nothing.”

“The man was your cousin.”

A faint, telltale line of color appeared high on the Home Secretary’s cheekbones. “We were not . . . close.”

“And his death in no way involves any affairs of state?”

“No.”

Jarvis let the quizzing glass fall. “You’re quite certain of that?”

“Yes!”

Jarvis rose to his feet. “You relieve my mind. If you should, however, discover you are mistaken, you will of course alert me at once?”

Sidmouth’s jaw tightened. He was in his mid-fifties now, his once dark hair turning silver, his waist grown thick, the flesh of his hands and face as soft and pale as any pampered gentlewoman’s. But he had the jaw of a butcher or a prizefighter, strong and powerful and pugnacious. “Of course,” he said.

“Good. That will be all.”

Sidmouth bowed curtly and swept from the room.

A moment later, the tall, dark-haired former hussar major who had been waiting in the antechamber appeared in the doorway. His name was Peter Archer, and he was one of several former military officers in Jarvis’s employ.

“Sidmouth is hiding something,” said Jarvis. “And I want to know what it is.”

A faint smile curled the major’s lips as he bowed. “Yes, my lord.”

Chapter 8

H oping that Paul Gibson had made some progress in the postmortem of Preston’s body, Sebastian turned his horses toward the Tower of London, where the Irishman kept a small surgery in the shadow of the grim medieval fortress’s soot-stained walls.

The friendship between Sebastian and the former regimental surgeon dated back nearly ten years, to the days when both men wore the King’s Colors and fought the King’s wars from Italy to the West Indies to the Peninsula. Then a cannonball took off the lower part of Gibson’s left leg, leaving him racked with pain and tormented by an increasingly serious opium addiction. In the end, he’d left the Army and come here, to London, where he divided his time between his surgery and teaching anatomy at the city’s hospitals. He knew more about the human body than anyone Sebastian had ever met, thanks in part to an ongoing series of illicit dissections performed on cadavers filched from the area’s churchyards by resurrection men.

Until that January, Gibson had lived alone. But he now shared the small, ancient stone house beside his surgery with Alexi Sauvage, a beautiful, enigmatic, and unconventional Frenchwoman who was as damaged in her own way as Gibson.

Rather than chance an encounter with her, Sebastian cut through the narrow passage that ran along Gibson’s house and led to the unkempt yard at the rear. Overgrown with weeds and a mute witness to the secrets buried there, the yard stretched down to a high stone wall that abutted the single-room outbuilding where Gibson performed both his legally sanctioned autopsies and his covert dissections. Through the open door, he could hear the Irishman singing softly under his breath, “Ghile Mear ‘sa seal faoi chumha, ‘S Éire go léir faoi chlócaibh dubha. . . .”

The headless, naked body of Stanley Preston lay on the high stone table in the center of the room. When Sebastian’s shadow fell across it, Gibson broke off and looked up. “Ah, there you are, me lad,” he said, exaggerating his brogue. “Thought I’d be seeing you soon enough.”

He was only several years older than Sebastian, but chronic pain had already touched his dark hair with gray at the temples and dug deep lines in his face. His opium addiction hadn’t helped either, although Sebastian noticed he didn’t look quite as emaciated as he had lately.

Pausing in the doorway, Sebastian let his gaze drift around the cold room until he located Preston’s head, cradled in an enameled basin on a long shelf. In the last twelve hours, the face seemed to have sunk in on itself, taking on a waxy, grayish tinge.

Sebastian swallowed and brought his gaze back to the rest of the cadaver. A small purple slit, clearly visible against the alabaster flesh, showed high on the man’s chest.

“He was stabbed?” said Sebastian. “Why the hell didn’t I see that?”

“Probably because he was so drenched in blood from his head being taken off. And because he was stabbed in the back. What you’re seeing is where the tip of the blade came all the way through his body—but not by much, I’d say. It just barely sliced his waistcoat. If you’ll help me turn him over, I’ll show you.”

“That’s quite all right; I’ll take your word for it.”

Gibson grinned.

“So that’s what killed him?” said Sebastian.

“It might have, eventually. But not right away. I suspect he fell when he was stabbed, and his killer finished him off by slitting his throat.” Gibson paused. “Obviously, he got a wee bit carried away and completely cut off the head.”

“With what? Any idea?”

“My guess is a sword stick; the stab wound in the back is the right size. I’d say your killer ran him through with the sword stick, then used the same blade to slit his throat, slashing down as the poor man lay on the ground. Could be he wasn’t intending to cut off the head—he was just trying to make sure Preston was dead.”

“So why did he then pick up the head and put it on the bridge?”

“Ah. Nobody told me that part.”

Sebastian studied the ragged, truncated flesh of the cadaver’s neck. He’d lopped off more heads than he cared to remember with a heavy cavalry sword swung from the back of a horse. But to chop the head off a man lying on the ground with a slim sword stick must surely be considerably more difficult. “How easy is it to cut off a head like that?”

“Not easy at all, evidently. Took whoever did it at least a dozen blows, maybe more.”

“Lovely.” Sebastian turned to stare out at the yard. The cloud cover from last night’s storm was beginning to show signs of breaking up, but the sunlight was still weak and fitful. As he watched, a woman came out of the house and paused for a moment on the back stoop. She was small and slight, with a head of fiery red hair and the kind of pale skin more often seen in Scotland than in France. Her gaze met his, and he saw her nostrils flare, her lips tighten into a flat line as she picked up a basket and trowel and moved to where he realized someone was nurturing a small plot of sweet peas and forget-me-nots along the house’s rear wall.

Sebastian said, “Does Madame Sauvage know you’ve spent the last few years planting this yard with the remains of your dissections?”

“Aye, I told her. She says all the more reason to clean it up.”

Sebastian leaned one shoulder against the doorjamb and watched her. He knew some of her history, but not all of it. Born in Paris in the days before the Revolution, she’d trained as a physician in Italy. But because Britain refused to license female physicians, she was allowed to practice in London only as a midwife. Like Gibson, she was in her early thirties and by her own account had already gone through two husbands and two lovers.

All were now dead—one of them by Sebastian’s hand.

Gibson said, “And how is young master Simon St. Cyr?”

“He’s an angel—until the clock strikes six in the evening, at which point he starts screaming bloody murder and is impossible to console until nearly midnight.”

“Colicky, is he? It’ll soon pass.”

“I sincerely hope so.”

The surgeon grinned and limped over to stand beside him. Gibson’s gaze rested, like Sebastian’s, on the woman now working the rich black soil near the house. “I’ve asked Alexi to marry me a dozen times,” he said with a sigh, “but she won’t hear of it.”

“Does she say why not?”

“She says all of her husbands have died.”

So have her lovers, thought Sebastian, although he didn’t say it.

He shifted to study his friend’s lean, pain-lined face. “She said she could do something to help with the phantom pains from your missing leg.” His pain—and his opium addiction. “Has she tried?”

“She keeps wanting to, but it sounds daft to me. How can a box with mirrors possibly do any good?”

“It’s worth making the attempt, isn’t it?”

The Irishman simply shook his head and turned back to his work. “I’ll let you know if I find anything else.”

Sebastian nodded and pushed away from the doorframe.

But as he followed the narrow path to the gate, he was aware of Alexi Sauvage’s gaze on him, silent and watchful.

It often seemed to Sebastian that trying to solve a murder was somewhat akin to approaching a figure in the mist. At first an indistinct, insubstantial blur, the murdered man or woman began to take form and emerge in detail only as Sebastian came to see the victim through the eyes of the various people who had known, loved, or hated him.

At the moment, virtually all Sebastian knew about Stanley Preston was that the man was cousin to the Home Secretary, a widower and father of two who owned plantations in Jamaica and was not in the habit of trying to fondle the pretty young barmaid at the local pub. Before he approached the dead man’s grief-stricken daughter, Sebastian felt the need to learn more. And so his next stop was the home of Henrietta, the Dowager Duchess of Claiborne.

One of the grandes dames of Society, the Duchess had long maintained a relentless interest in the personal lives and antecedents of everyone who was anyone. Since she also possessed an awe-inspiring memory that deemed few details too trivial not to be retained forever, he couldn’t think of anyone in London better able to tell him what he needed to know about Mr. Stanley Preston.

Born Lady Henrietta St. Cyr, elder sister of the current Earl of Hendon, she was known to the world as Sebastian’s aunt, although she was one of the few people aware of the fact that the relationship between them was in name only. She lived alone with an army of servants in a vast town house on Park Lane, in Mayfair. Technically, the house belonged to her son, the current Duke of Claiborne, who resided at a far more modest address in Half Moon Street. An amiable, somewhat weak-willed gentleman now of middle age, he was no match for the Dowager Duchess, who had every intention of dying in the house to which she had come as a bride some fifty-five years before. She was proud, nosy, perceptive, arrogant, judgmental, opinionated, and wise, and one of Sebastian’s favorite people.

He found her ensconced in a comfortable chair beside her drawing room fire, an exquisite cashmere shawl draped about her stout shoulders and a slim, blue-bound book in her hands.

“Good heavens, Aunt Henrietta,” he said, stooping to kiss one subtly rouged and powdered cheek. “Have I caught you reading a novel?”

Rather than put the book aside, she thrust one plump finger between the pages to mark her place. “I bought it to see what all the fuss is about—it has quite taken the ton by storm, you know. But I must confess to finding it unexpectedly diverting.”

Sebastian went to stand before the fire. “Who wrote it?”

“No one knows. That’s partly what makes it so delicious. It’s simply ascribed to ‘the author of Sense and Sensibility.’ And no one has yet to discover who she is.”

He reached to pick up one of the other two volumes resting on the table beside her and read the title. “Pride and Prejudice. Whoever it is obviously likes alliteration.”

“And she has the most devastatingly wicked wit. Listen to this.” She opened the book again. “‘They were in fact very fine ladies . . . had a fortune of twenty thousand pounds, were in the habit of spending more than they ought, and of associating with people of rank; and were therefore in every respect entitled to think well of themselves, and meanly of others. They were of a respectable family in the north of England, a circumstance more deeply impressed on their memories than that their brother’s fortune and their own had been acquired by trade.’”

“Devastating, indeed. I wonder, could you tear yourself away from this delightful tale long enough to tell me what you know of Mr. Stanley Preston?”

“Stanley Preston?” she repeated, looking up at him. “Whatever for?”

“You haven’t seen the morning papers?”

“No; I’ve been reading this book. Why? What’s happened to him?”

“Someone cut off his head.”

“Good heavens. How terribly gauche.”

“Frightfully so. What do you know of him?”

She laid the book aside, open and facedown, although he noticed she gave it one or two reluctant glances before she brought her attention back to him. “Well, let’s see. The family is old—he’s from the Devonshire Prestons, you know, although his is a rather insignificant, cadet branch.”

“Yet his cousin is Lord Sidmouth.”

She waved a dismissive hand; obviously, the Home Secretary’s antecedents did not impress her. “Yes, but Sidmouth himself was only recently raised to the peerage. His father was a mere physician.”

“So where did Preston acquire his wealth?”

“His father married a merchant’s daughter. The woman was dreadfully vulgar, I’m afraid, but quite an heiress. The elder Preston invested her inheritance in land in the West Indies and did very well for himself, as a result of which he was able to marry his own son—Stanley—to the daughter of an impoverished baron.”

“Wealth acquired from trade being seen as something vile and shameful that can be magically cleansed by investment in land—even when that land happens to be worked by slaves?”

She frowned at him. “Really, Sebastian; it’s not as if he were engaged in the slave trade. Slavery is perfectly legal in the West Indies. The French tried to do away with it, and look what happened to them. A bloodbath!”

“True,” said Sebastian. “What was the name of this baron’s daughter? I gather she’s dead?”

“Mmm. Mary Pierce. Lovely young woman. In the end, the marriage was surprisingly successful; Preston positively doted on her. But she died in childbirth some seven or eight years ago. I’ve often wondered why he never remarried. He’s still quite attractive and vigorous for his age.”

“Not anymore.”

“Don’t be vulgar, Devlin.”

He gave a soft huff of laughter. “Tell me about the daughter. What’s her name?”

“Anne. She must be in her early twenties by now. Still unmarried, I’m afraid, and in serious danger of being left on the shelf. Not that anyone is exactly surprised.”

“Why? Is she ill-favored?”

“Oh, she was pretty enough when she was young, I suppose. But Preston never did move in the highest circles, and Anne has a tendency to be rather quiet—and a tad strange, to be frank.”

“Strange? In what way?”

“Let’s just say she’s more like her father than her mother. And of course it hasn’t helped that her portion from her mother is not large.”

“I was under the impression Preston’s holdings in Jamaica are substantial.”

“They are. But that will all go to the son.”

“I assume the man was a Tory?”

“I should hope so. Although unlike Sidmouth, I don’t believe he was overly interested in affairs of state. His passion was collecting.”

“Collecting? What did he collect?”

“Curiosities of all sorts, although mainly antiquities. He had a special interest in items that once belonged to famous people. I’m told he has a bullet taken from the body of Lord Nelson after Trafalgar, a handkerchief some ghoulish soul dipped in Louis XVI’s blood at the guillotine . . . that sort of thing. He even has heads.”

Sebastian paused in the act of leaning down to throw more coal on the fire. “Heads? What sort of heads?”

“Those with historical significance.”

“You mean, people’s heads?”

“Mmm. I’m told he has Oliver Cromwell, amongst others. But don’t ask me who else because I’ve never seen them. They say he keeps them displayed in glass cases and—” She broke off. “How did you say he died?”

“Someone cut off his head.”

“Dear me.” She readjusted her shawl. “I take it you’ve involved yourself in this murder investigation?”

“I have, yes.”

“Amanda won’t like it. That girl of hers is starting her second season, and Amanda blames you for Stephanie’s failure to go off last year.”

Sebastian’s older sister, Amanda, was not one of his admirers. He said, “From what I observed, I’d say my niece was enjoying her first season far too much to settle down and bring it all to an end.”


Who Buries the Dead (Sebastian St. Cyr Mystery Book 10), by C.S. Harris

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Most helpful customer reviews

28 of 31 people found the following review helpful. Another Awesome St Cyr. - Loved it By Judge Tabor The St. Cyr books are definitely among my very favorite books. Although these are basically "mysteries," I absolutely love the manner in which the personal lives of Sebastian and Hero have developed over the course of the series. Sebastian St. Cyr is among my top five heroes out of all the Historical Romance books I've read.He's honorable to the extreme, has had some really difficult personal barriers to overcome relative to his bloodlines. And, yet - he continually comes through with his soul and honor intact. I won't spoil those particular details in case you've not read the prior releases. But, finally, he's married up with a woman, Hero, who is a very strong person in her own right and is a match for him in all the ways that truly matter. In the last couple of books, their love for one another has finally been realized and acknowledged and, now there's a little baby boy with the interesting amber eyes that definitely mark him as Sebastian's babe. I adored the sweet parts in this book when baby Simon is having squalling fits and Hero and Sebastian take turns holding him.In this book we have Sebastian and Hero working together to figure out exactly what transpired in the death of Stanley Preston, a wealthy West Indies' plantation owner. As an added bonus, we get to tag along as Hero investigates the lives of costermongers - those sellers of fruits and vegetables on the streets of London, even as Sebastian digs deeper and deeper into the circumstances surrounding Stanley Preston's death.Of course Lord Jarvis, Hero's powerful, villainous father, does his utmost to dabble wherever it suits his own political interests. Nevertheless, although Hero's loyalties are a bit mixed up (in this reader's opinion), Sebastian is a match for Lord Jarvis and is one of the few people who refuses to be manipulated by him.Lord Oliphant, an evil man Sebastian knew from his military service, shows up in this story, in addition to a particularly evil woman named Priss Mulligan. Although Priss is a new character to this series, Lord Oliphant has previously proven he's not above torture, he's without morals and the kind of individual you want to keep as far away from your family as possible. The dark memories that haunt Sebastian's dreams and thoughts are indeed related to Oliphant's barbarous acts during a time when his and Sebastian's paths crossed in the mountains of Portugal. Exactly what part, if any, did Lord Oliphant play in Stanley Preston's death? In addition to his attempts to solve the murder, Sebastian deals with his own demons in his seeming inability to let go of the past happenings in Portugal and what he perceives as failure on his part. Thankfully, he finally allows himself to reveal all the heretofore undisclosed details to Hero, who is a most supportive listener.We also get to have some time with the intriguing Jamie Knox, a man who has obviously been sired by the same "as yet unrevealed" man who fathered Sebastian. Obvious, because of their nearly identical looks - including the same "see-in-the dark" amber eyes. Jamie is able to give Sebastian information about Priss Mulligan's misdeeds that literally cause shivers to go down one's spine, including Sebastian's. So, the question becomes - is Sebastian willing to put his wife's and son's lives on the line as he digs deeper into the mystery with not just one evil villain to contend with, but two? When Sebastian makes the following statement to Hero - "The thought of anything happening to you or Simon scares the hell out of me," we get a hint of the steps Sebastian will take to make sure his family will be taken care of regardless of what he has to do. That's when we're thinking - "Woe to the Lord Oliphants and Priss Mulligans of this world!" should anything happen to Hero or Simon.On a lighthearted side - there's a great little bonus in this story - Sebastian makes a visit to none other than Miss Jane Austen's home to question her about certain aspects of his investigation.I highly recommend these books to anyone who is interested in a mix of mystery solving and romance. But, if it were me, I would definitely begin with the first book in the series. I have listed the links to the books below in order of release:What Angels Fear: A Sebastian St. Cyr MysteryWhen Gods Die: A Sebastian St. Cyr MysteryWhy Mermaids Sing: A Sebastian St. Cyr MysteryWhere Serpents Sleep: A Sebastian St. Cyr MysteryWhat Remains of Heaven: A Sebastian St. Cyr MysteryWhere Shadows Dance: A Sebastian St. Cyr MysteryWhen Maidens Mourn: A Sebastian St. Cyr MysteryWhat Darkness Brings: A Sebastian St. Cyr MysteryWhy Kings Confess: A Sebastian St. Cyr MysteryWho Buries the Dead: A Sebastian St. Cyr Mystery

17 of 19 people found the following review helpful. A Delightful Regency Mystery By Amazon Customer After a year's long wait, CS Harris has delivered Sebastian St Cyr into our hands again with the 10th installment of her much loved series. If you enjoy the time and place of Regency London, an evolving romance, mystery and adventure interwoven around the history of Kings of England, you will not be disappointed in this book. I came to this series late, reading the second book "When Gods Die" first, on a trip to London in 2008, then scrambled to play catch up. It has never failed to delight and entertain. Having just completed this book, I now wait for the 11th iinstallment not due until March 2016. Be sure to read the first 10 so you will be ready for #11. The wait is hard, but so worth it. Thanks, Candice.

12 of 14 people found the following review helpful. Who Buries The Dead By M.Hamilton Fascinating tale of beheadings in 1813 London. Also involves the discovery of the "lost" tomb of the murdered king Charles Ist. Love the background characters. This one involved Jane Austen and her family. I especially enjoy the character of Hero, daughter of Lord Jarvis and Sebastian' s wife. The plight of London's teeming poor and the selfishness and apathy of the upper classes resembles current American life unfortunately. I love the story of Sebastian and Hero and their love for each other and their son, Simon named after Hero's dead brother. Poor Sebastian is as tortured as ever and suffers still another loss in this story. Now I have to wait another whole year for the next in this series.

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Who Buries the Dead (Sebastian St. Cyr Mystery Book 10), by C.S. Harris

Who Buries the Dead (Sebastian St. Cyr Mystery Book 10), by C.S. Harris
Who Buries the Dead (Sebastian St. Cyr Mystery Book 10), by C.S. Harris