What is a Rune? and Other Essays, by Collin Cleary
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What is a Rune? and Other Essays, by Collin Cleary
Best PDF Ebook What is a Rune? and Other Essays, by Collin Cleary
In these nine remarkable essays, Collin Cleary expands upon the ideas of his path-breaking book Summoning the Gods and ventures into entirely new territory: "What is a Rune?" explores the nature of mytho-poetic thought and the problem of recovering the mysteries of runa. "The Fourfold" uses Martin Heidegger's phenomenology of "dwelling" as a means of approaching our ancestors' way of being in the world. "The Ninefold" offers a philosophical interpretation of the nine worlds of Germanic myth. "The Gifts of Odin and his Brothers" unveils the inner meaning of the account of human origins found in the Eddas. "The Stones Cry Out" advances the revolutionary thesis that "openness to Being" explains the sudden appearance of art in Europe 40,000 years ago. Cleary's controversial essay "Ásatrú and the Political" argues that Ásatrú is inseparable from White Nationalism. "Are We Free?" skewers the false conception of freedom to which Westerners are in thrall. "Heidegger: An Introduction for Anti-Modernists" offers readers the best English-language introduction to the most important philosopher of the last century. "The Prisoner and Ibsen's Brand" is a sequel to Cleary's popular essay on The Prisoner from Summoning the Gods, exploring this enigmatic television series in the light of Henrik Ibsen's classic play about implacable moralism.
What is a Rune? and Other Essays, by Collin Cleary- Amazon Sales Rank: #729509 in Books
- Published on: 2015-03-28
- Original language: English
- Number of items: 1
- Dimensions: 9.02" h x .59" w x 5.98" l, .85 pounds
- Binding: Paperback
- 260 pages
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Most helpful customer reviews
11 of 11 people found the following review helpful. A tight, accessible and definitive introduction... By Jack Donovan In the title essay, Cleary builds on his discussion about achieving an openness to concepts and ideas from another time -- specifically in this case, the runes. His insights into "The Fourfold" and untangling of the Nine worlds found in Germanic paganism were enlightening, evocative, even exciting. The association of Muspelheim and Niflheim with solve and coagula, in particular, stood out, and I now link Niflheim not only with ice, but with serpents and retraction, pulling in and unification. Cleary offers similar oppositional concepts for the rest of the nine worlds, and his interpretations breathed a lot of life into them for me. I’m certain I’ll come back to the book and re-read portions of these essays again and again over the coming years. I'd recommend this as a solid intro for non - "universalist" heathens attempting to process ideas from another "man-age" and make sense of them in this one.
4 of 4 people found the following review helpful. "The Stones Cry Out" -- a long essay at the ... By Christopher Cahill "The Stones Cry Out" -- a long essay at the center of this extraordinarily rich and powerful collection -- is the strongest and most searching philosophical inquiry written in our time. As the main streams of commercial and academic publishing dry up (as an inevitable consequence of the commitment of those at the helm to living by lies), it is encouraging indeed to discover writing of this quality flourishing at the margins. Collin Cleary is a master, an examplar of intellectual fortitude, a penetrating guide as to how we might, as he puts it, "become who we are." Counter-Currents is a brave and increasingly invaluable publishing endeavor.
1 of 1 people found the following review helpful. A Brilliant Contribution to Western Thought by an Important and Original Thinker By Daniel F. This is one of those rare books that makes one regret having given “five star” reviews to books that were merely quite good: it somehow dilutes and diminishes the effect when one comes across a book that merits the highest praise. Colin Cleary’s What is a Rune? is a truly great book by an important, even paradigm-changing author. It deserves to be read and taken seriously by anyone concerned about the origins, and future, of Man, particularly Western Man. I firmly believe that with the benefit of hindsight, Cleary’s book will be seen contain at least one seminal, epochal essay, as discussed below.Collin Cleary is perhaps the most brilliant contemporary expositor of the Germanic mythic tradition. Bringing together close readings of source materials (including the Poetic and Prose Eddas as well as materials in the Hindu and Indo-European tradition), etymological analysis (including speculation, similar to one of his primary philosophical influences Heidegger), broad and deep reading in the Western philosophic tradition and truly creative, original thought, Cleary makes the Norse mythic tradition relevant to our world and seeks ways to make it alive again.Yet, to think of Clearly merely as an interpreter or expositor of a past tradition and mythology is to woefully underestimate the originality and importance of his thought and the extent of his creative capabilities and to misunderstand the very nature of his project. His interest in the Germanic tradition does not arise out of, or merely out of, a backward-looking and nostalgic melancholy over a lost world. He wants the worldview and spirit of his ancestors to come alive today and explains why it is tragic that the people of those tradition are largely unaware of their origins and their potential. In that sense, Cleary’s project has affinities with the idea of “archeofuturism” put forward by French philosopher Guillaume Faye: we are inspired by our ancestors, not to go backward but to move forward – with the same spirit – into a new world that we will create. This is not about “LARPing” or simply propping up a static, staid and essentially dead past. It is recognizing and activating the spirit and mindset that already exists within us and that is every bit as powerful as the spirit that inspired the original myths and the Germanic cultural tradition writ large.In his first collection, Summoning the Gods, Cleary presented highly original essays on how modern Western man has lost, and might bring back, the numinous, the sacred, the meaningfully pregnant into everyday life. He continues that project with several of the essays in What Is a Rune?, particularly the Fourfold and the Ninefold, which are attempts to recreate the worldview and the mindset of the historic Germanic / Norse peoples. In understanding that worldview, for Cleary, Heidegger is just as important a figure in this tradition as the authors of the Eddas.As interesting and important as those essays are, it is with the lengthiest essay in this collection – The Stones Cry Out – that we now are presented with Cleary’s magnum opus. This stunning essay sets forth a highly original and almost awe-inspiring conjecture and hypothesis about the origin and purpose of man, and the purpose of the universe, and man’s role in carrying out that purpose. Invoking Heidegger and Hegel, among others, in formulating his theory, The Stones Cry Out goes beyond those thinkers and presents a wholly new theory incorporating researches into archeology, anthropology, aesthetic theory and philosophy to produce a truly weighty and important piece. Although Cleary is foremost a philosopher and thinker and not a political activist, yet the essay gives a new urgency and poignancy to many of the “identitarian” and dissident right movements taking shape today: it shows _why_ it is so important to preserve Western culture, to allow it to “be itself” and to enable it (i.e. its people) to take itself to the next stage.The Stones Cry Out will be viewed as a seminal and epochal essay. In setting forth his theory, Cleary also calls into question Darwinism and the Theory of Evolution by Natural Selection. Cleary is a pagan, so obviously his questioning of Darwinism is not inspired or influenced by “Intelligent Design” or another of the non-scientific apologies that tries to justify creationism. It is a philosophical case that attempts to show logically why Darwinism and TENS cannot be true or, at the least, are flawed or not complete pictures of the workings of the universe.I should also mention that the editing of the volume is excellent: although The Stones Cry Out rests on its own merits, the ordering of the essays leading up to it in the book does help to prepare readers for Cleary’s message. And the immediately following essay – Asatru and the Political – is also well placed as there are in fact political implications that follow from The Stones Cry Out. The book is also beautifully produced, from the cover illustration and lay-out, to the font and printing.Given the importance of Cleary’s thought and work, one may reasonable ask: What is next for Collin Cleary? I believe he may have provided a hint in the essay on Heidegger contained in this book. Cleary notes that, despite his quintessentially Germanic thinking, lifestyle and bearing, Heidegger – due to his classical education – looked exclusively to the Greeks in exploring philosophical concepts, foremost the idea of “Being”.Cleary asks: “Why then, when [Heidegger] considered how ‘we’ once oriented ourselves toward Being, did he not explore the ancient myths and texts of Northern Europe? I am thinking, of course of the Eddas and Sagas, and other sources. Why did he not delve into the research of the Brothers Grimm, and others, into Germanic myth and the sources of Germanic language. It is a pity that he didn’t.” Cleary then continues: “It is just left to someone else to do the philosophical work Heidegger didn’t do: the work of revealing how Being disclosed itself to the ancient Northern European peoples.”Collin Cleary has obviously begun that project himself in his two books of essays, but it is clear he considers that work largely undone. We, his readers, can look forward with hope that he will continue to take this task upon himself. It will be a philosophical and literary boon worth waiting for if he does.
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